Rob Sheffield Quote

Despite all the solo vocals, each using the others as a back-up group, the White Album still sounds haunted by memories of friendship—that dreamlike state they could still zoom into hearing each other sing. They translated Rishikesh into their own style of English pagan pastoral—so many talking animals, so many changes in the weather. One of my favorite British songwriters, Luke Haines from the Auteurs and Black Box Recorder, once told me in an interview that his band was making our Wicker Man album. He was miffed I had no idea what he meant. You can’t understand British bands without seeing The Wicker Man. Every British band makes its Wicker Man album. So I rented the classic 1973 Hammer horror film, and had creepy dreams about rabbits for months, but he’s right, and the White Album is the Beatles’ Wicker Man album five years before The Wicker Man, a rustic retreat where nature seems dark and depraved in a primal English sing-cuckoo way. They also spruced up their acoustic guitar chops in India, learning folkie fingerpicking techniques from fellow pilgrim Donovan, giving the songs some kind of ancient mystic chill.

Rob Sheffield

Despite all the solo vocals, each using the others as a back-up group, the White Album still sounds haunted by memories of friendship—that dreamlike state they could still zoom into hearing each other sing. They translated Rishikesh into their own style of English pagan pastoral—so many talking animals, so many changes in the weather. One of my favorite British songwriters, Luke Haines from the Auteurs and Black Box Recorder, once told me in an interview that his band was making our Wicker Man album. He was miffed I had no idea what he meant. You can’t understand British bands without seeing The Wicker Man. Every British band makes its Wicker Man album. So I rented the classic 1973 Hammer horror film, and had creepy dreams about rabbits for months, but he’s right, and the White Album is the Beatles’ Wicker Man album five years before The Wicker Man, a rustic retreat where nature seems dark and depraved in a primal English sing-cuckoo way. They also spruced up their acoustic guitar chops in India, learning folkie fingerpicking techniques from fellow pilgrim Donovan, giving the songs some kind of ancient mystic chill.

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About Rob Sheffield

Robert James Sheffield (born February 2, 1966) is an American music journalist and author.
He is a long time contributing editor at Rolling Stone, writing about music, TV, and pop culture. Previously, he was a contributing editor at Blender, Spin and Details magazines. A native of Milton, Massachusetts, Sheffield has a bachelor's degree from Yale University and master's degree (1991) from the University of Virginia.
Sheffield lives in Brooklyn, New York.