Patrick O'Brian Quote

Round she went: the squared main and mizen yards lay parallel with the wind, the topsails shaking. Farther, farther; and now the wind was abaft her beam, and by rights her sternway should have stopped; but it did not; she was still travelling with remarkable speed in the wrong direction. He filled the topsails, gave her weather helm, and still she slid backwards in this insane contradiction of all known principles. For a moment all the certainties of his world quivered - he caught a dumbfounded, appalled glance from the master - and then with a sigh from the masts and stays, the strangest straining groan, the Polychrest's motion passed through a barely perceptible immobility to headway. She brought the wind right aft, then on to her larboard quarter; and hauling out the mizen and trimming all sharp, he set the course, dismissed the watch below, and walked into his cabin, relief flooding into him. The bases of the universe were firm again, the Polychrest was heading straight out into the offing with the wind one point free; the crew had not done very badly, no time worth mentioning had been lost; and with any luck his steward would have brewed a decent pot of coffee.

Patrick O'Brian

Round she went: the squared main and mizen yards lay parallel with the wind, the topsails shaking. Farther, farther; and now the wind was abaft her beam, and by rights her sternway should have stopped; but it did not; she was still travelling with remarkable speed in the wrong direction. He filled the topsails, gave her weather helm, and still she slid backwards in this insane contradiction of all known principles. For a moment all the certainties of his world quivered - he caught a dumbfounded, appalled glance from the master - and then with a sigh from the masts and stays, the strangest straining groan, the Polychrest's motion passed through a barely perceptible immobility to headway. She brought the wind right aft, then on to her larboard quarter; and hauling out the mizen and trimming all sharp, he set the course, dismissed the watch below, and walked into his cabin, relief flooding into him. The bases of the universe were firm again, the Polychrest was heading straight out into the offing with the wind one point free; the crew had not done very badly, no time worth mentioning had been lost; and with any luck his steward would have brewed a decent pot of coffee.

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About Patrick O'Brian

Patrick O'Brian (12 December 1914 – 2 January 2000), born Richard Patrick Russ, was an English novelist and translator, best known for his Aubrey–Maturin series of sea novels set in the Royal Navy during the Napoleonic Wars, and centred on the friendship of the English naval captain Jack Aubrey and the Irish–Catalan physician Stephen Maturin. The 20-novel series, the first of which is Master and Commander, is known for its well-researched and highly detailed portrayal of early 19th-century life, as well as its authentic and evocative language. A partially finished 21st novel in the series was published posthumously containing facing pages of handwriting and typescript.
O'Brian wrote a number of other novels and short stories, most of which were published before he achieved success with the Aubrey–Maturin series. He also translated works from French to English, and wrote biographies of Joseph Banks and Picasso.
His major success as a writer came late in life, when the Aubrey–Maturin series caught the eye of an American publisher. The series drew more readers and favourable reviews when the author was in his seventies. Near the end of his life, and in the same year that he lost his wife, British media revealed details of O'Brian's early life, first marriage, and post-war change of name, causing distress to the very private author and to many of his readers at that time.