Patrick O'Brian Quote
A lane instantly formed in front of Stephen, and he passed through with smiling faces and kind looks on either side of him; he noticed some of the men whose backs he had oiled earlier that morning looked remarkably cheerful, particularly Edwards, for he, being black, had a smile that flashed far whiter in the gloom; attentive hands tweaked a bench out of his way, and a ship's boy was slewed violently round on his axis and desired 'not to turn his back on the Doctor – where were his fucking manners?' Kind creatures; such good-natured faces; but they were killing Cheslin.
Patrick O'Brian
A lane instantly formed in front of Stephen, and he passed through with smiling faces and kind looks on either side of him; he noticed some of the men whose backs he had oiled earlier that morning looked remarkably cheerful, particularly Edwards, for he, being black, had a smile that flashed far whiter in the gloom; attentive hands tweaked a bench out of his way, and a ship's boy was slewed violently round on his axis and desired 'not to turn his back on the Doctor – where were his fucking manners?' Kind creatures; such good-natured faces; but they were killing Cheslin.
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About Patrick O'Brian
Patrick O'Brian (12 December 1914 – 2 January 2000), born Richard Patrick Russ, was an English novelist and translator, best known for his Aubrey–Maturin series of sea novels set in the Royal Navy during the Napoleonic Wars, and centred on the friendship of the English naval captain Jack Aubrey and the Irish–Catalan physician Stephen Maturin. The 20-novel series, the first of which is Master and Commander, is known for its well-researched and highly detailed portrayal of early 19th-century life, as well as its authentic and evocative language. A partially finished 21st novel in the series was published posthumously containing facing pages of handwriting and typescript.
O'Brian wrote a number of other novels and short stories, most of which were published before he achieved success with the Aubrey–Maturin series. He also translated works from French to English, and wrote biographies of Joseph Banks and Picasso.
His major success as a writer came late in life, when the Aubrey–Maturin series caught the eye of an American publisher. The series drew more readers and favourable reviews when the author was in his seventies. Near the end of his life, and in the same year that he lost his wife, British media revealed details of O'Brian's early life, first marriage, and post-war change of name, causing distress to the very private author and to many of his readers at that time.
O'Brian wrote a number of other novels and short stories, most of which were published before he achieved success with the Aubrey–Maturin series. He also translated works from French to English, and wrote biographies of Joseph Banks and Picasso.
His major success as a writer came late in life, when the Aubrey–Maturin series caught the eye of an American publisher. The series drew more readers and favourable reviews when the author was in his seventies. Near the end of his life, and in the same year that he lost his wife, British media revealed details of O'Brian's early life, first marriage, and post-war change of name, causing distress to the very private author and to many of his readers at that time.