Nicholson Baker Quote

And then a man of forty or so, with a French accent, asked, How do you achieve the presence of mind to initiate the writing of a poem? And something cracked open in me, and I finally stopped hoarding and told them my most useful secret. The only secret that has helped me consistently over all the years that I've written. I said, Well, I'll tell you how. I ask a simple question. I ask myself: What was the very best moment of your day?? The wonder of it was, I told them that this one question could lift out from my life exactly what I will want to write a poem about. Something I hadn't known was important will leap out and hover there in front of me, saying I am— I am the best moment of the day. I noticed two people were writing down what I was saying. Often, I went on, it's a moment when you're waiting for someone, or you're driving somewhere, or maybe you're just walking across a parking lot and admiring the oil stains and the dribbled tar patterns. One time it was when I was driving past a certain house that was screaming with sunlitness on its white clapboards, and then I plunged through tree shadows that splashed and splayed across the windshield. I thought, Ah, of course— I'd forgotten. You, windshield shadows, you are the best moment of the day. And that's my secret, such as it is, I said.

Nicholson Baker

And then a man of forty or so, with a French accent, asked, How do you achieve the presence of mind to initiate the writing of a poem? And something cracked open in me, and I finally stopped hoarding and told them my most useful secret. The only secret that has helped me consistently over all the years that I've written. I said, Well, I'll tell you how. I ask a simple question. I ask myself: What was the very best moment of your day?? The wonder of it was, I told them that this one question could lift out from my life exactly what I will want to write a poem about. Something I hadn't known was important will leap out and hover there in front of me, saying I am— I am the best moment of the day. I noticed two people were writing down what I was saying. Often, I went on, it's a moment when you're waiting for someone, or you're driving somewhere, or maybe you're just walking across a parking lot and admiring the oil stains and the dribbled tar patterns. One time it was when I was driving past a certain house that was screaming with sunlitness on its white clapboards, and then I plunged through tree shadows that splashed and splayed across the windshield. I thought, Ah, of course— I'd forgotten. You, windshield shadows, you are the best moment of the day. And that's my secret, such as it is, I said.

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About Nicholson Baker

Nicholson Baker (born January 7, 1957) is an American novelist and essayist. His fiction generally de-emphasizes narrative in favor of careful description and characterization. His early novels such as The Mezzanine and Room Temperature were distinguished by their minute inspection of his characters' and narrators' stream of consciousness. Out of a total of ten novels, three are erotica: Vox, The Fermata and House of Holes.
Baker also writes non-fiction books. U and I: A True Story, about his relationship with John Updike, was published in 1991. He then wrote about the American library system in his 2001 book Double Fold: Libraries and the Assault on Paper, for which he received a National Book Critics Circle Award and the Calw Hermann Hesse Prize for the German translation. A pacifist, he wrote Human Smoke (2008) about the buildup to World War II.
Baker has published articles in Harper's Magazine, the London Review of Books and The New Yorker, among other periodicals.
Baker created the American Newspaper Repository in 1999. He has also written about and edited Wikipedia.