Mindy Kaling Quote
Every couple of months or so, some boundary breaking article comes out in a nationally published magazine. The article makes a big thesis statement about relationships. Like say how, women don’t need men anymore, or how if you’re a woman over thirty-five, you should just settle with whatever guy is half-way nice to you, or how monogamy is not feasible, or plausible, or enjoyable, for any human. And we should all be swingers, or a study is released that say’s, you don’t have to love your kids anymore or something. They’re the kind of articles that are e-mailed everywhere and I get them forwarded to me about eight times. I will read one of these articles and immediately afterward I’m so swept up in it, I can’t help but think Yes, Yes, that is one-hundred percent right. Finally! Someone has confirmed that little voice in the back of my mind that has always not loved my kids, or I’m so happy I’m that much closer to my swinging lifestyle I’ve always secretly been craving. I’m normal and now it’s a national discussion and others agree and I can feel normal now. But then, a week later I’m thinking, I hate this. I feel awful. This wretched little magazine article has helped convinced more open minded liberal arts graduates that, the nuclear family doesn’t exist without some hideous twist, like the dad is allowed to go to an S & M dungeon once a week or something. It makes me cry because it means that fewer and fewer people are believing it’s cool to want what I want, which is to be married and have kids and love each other in a monogamous, long-lasting relationship.
Every couple of months or so, some boundary breaking article comes out in a nationally published magazine. The article makes a big thesis statement about relationships. Like say how, women don’t need men anymore, or how if you’re a woman over thirty-five, you should just settle with whatever guy is half-way nice to you, or how monogamy is not feasible, or plausible, or enjoyable, for any human. And we should all be swingers, or a study is released that say’s, you don’t have to love your kids anymore or something. They’re the kind of articles that are e-mailed everywhere and I get them forwarded to me about eight times. I will read one of these articles and immediately afterward I’m so swept up in it, I can’t help but think Yes, Yes, that is one-hundred percent right. Finally! Someone has confirmed that little voice in the back of my mind that has always not loved my kids, or I’m so happy I’m that much closer to my swinging lifestyle I’ve always secretly been craving. I’m normal and now it’s a national discussion and others agree and I can feel normal now. But then, a week later I’m thinking, I hate this. I feel awful. This wretched little magazine article has helped convinced more open minded liberal arts graduates that, the nuclear family doesn’t exist without some hideous twist, like the dad is allowed to go to an S & M dungeon once a week or something. It makes me cry because it means that fewer and fewer people are believing it’s cool to want what I want, which is to be married and have kids and love each other in a monogamous, long-lasting relationship.
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About Mindy Kaling
She first gained recognition starring as Kelly Kapoor in the NBC sitcom The Office (2005–2013), for which she also served as a writer, executive producer, and director. For her work on the series, she was nominated for a Primetime Emmy Award for Outstanding Writing in a Comedy Series. She gained wider attention for creating, producing and starring as Dr. Mindy Lahiri in the Fox/Hulu semi-biographical sitcom The Mindy Project (2012–2017), that was inspired by some events in her early life. She then expanded her career creating numerous shows such as the NBC sitcom Champions (2018), the Hulu miniseries Four Weddings and a Funeral (2019), the Netflix comedy series Never Have I Ever (2020–2023) and the HBO Max comedy series The Sex Lives of College Girls (2021–present).
Her film career includes voice roles in Despicable Me (2010), Wreck-It Ralph (2012), and Inside Out (2015) as well as live action roles in No Strings Attached (2011), The Five-Year Engagement (2012), A Wrinkle in Time and Ocean's 8 (both 2018), and Late Night (2019), the last of which she also wrote and produced. She wrote two memoirs both reaching The New York Times Best Seller list. She also received a Tony Award for Best Musical as a producer for the musical A Strange Loop. In 2012, Kaling founded the production company Kaling International.