Michael Ondaatje Quote

I love the performance of a craft, whether it is modest or mean-spirited, yet I walk away when discussions of it begin - as if one should ask a gravedigger what brand of shovel he uses or whether he prefers to work at noon or in moonlight. I am interested only in the care taken, and those secret rehearsals behind it. Even if I do not understand fully what is taking place.

Michael Ondaatje

I love the performance of a craft, whether it is modest or mean-spirited, yet I walk away when discussions of it begin - as if one should ask a gravedigger what brand of shovel he uses or whether he prefers to work at noon or in moonlight. I am interested only in the care taken, and those secret rehearsals behind it. Even if I do not understand fully what is taking place.

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About Michael Ondaatje

Philip Michael Ondaatje (; born 12 September 1943) is a Sri Lankan-born Canadian poet, fiction writer, essayist, novelist, editor, and filmmaker.
Ondaatje's literary career began with his poetry in 1967, publishing The Dainty Monsters, and then in 1970 the critically acclaimed The Collected Works of Billy the Kid. His novel The English Patient (1992), adapted into a film in 1996 won the 2018 Golden Man Booker Prize.
Ondaatje has been "fostering new Canadian writing" with two decades commitment to Coach House Press (ca. 1970–1990), and his editorial credits include the journal Brick, and the Long Poem Anthology (1979), among others.