Michael Haneke Quote
Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is.
Michael Haneke
Mainstream cinema raises questions only to immediately provide an answer to them, so they can send the spectator home reassured. If we actually had those answers, then society would appear very different from what it is.
Tags:
society
Related Quotes
Certainly we can say that the pace of modern life, increased and supported by our technology in general and our personal electronics in particular, has resulted in a short attention span and an addict...
Arthur Rosenfeld
Tags:
being, complicated, critical thinking, daoism, emotion, feeling, hectic, life, meditation, modern life
Let my silence grow with noise as pregnant mothers grow with life. Let my silence permeate these walls as sunlight permeates a home. Let the silence rise from unwatered graves and craters left by bomb...
Kamand Kojouri
Tags:
abuse, abused, activism, activism poems, activist, amnesty, bellies, bombs, broken hearts, coming together
The downfall of the attempts of governments and leaders to unite mankind is found in this- in the wrong message that we should see everyone as the same. This is the root of the failure of harmony. Bec...
C. JoyBell C.
Tags:
color, culture, difference, differences, equality, government, harmony, human, humanism, humanity
About Michael Haneke
Michael Haneke (German: [ˈhaːnəkə]; born 23 March 1942) is an Austrian film director and screenwriter. His work often examines social issues and depicts the feelings of estrangement experienced by individuals in modern society. Haneke has made films in French, German, and English and has worked in television and theatre. He also teaches film direction at the Film Academy Vienna.
Haneke's first films were his "glaciation" trilogy, consisting of The Seventh Continent (1989), Benny's Video (1992), and 71 Fragments of a Chronology of Chance (1994), each of which depict a "coldly bureaucratic society in which genuine human relationships have been supplanted by a deep-seated collective malaise" and explore "the relationship among consumerism, violence, mass media, and contemporary alienation". He went on to win the Cannes Film Festival's Grand Prix for The Piano Teacher (2001) as well as its Palme d'Or twice, for The White Ribbon (2009) and Amour (2012), the latter of which received five Academy Award nominations and won the Academy Award for Best Foreign Language Film. He also directed Funny Games (1997) and its 2007 remake, Code Unknown (2000), Time of the Wolf (2003), Caché (2005), and Happy End (2017).
Haneke's first films were his "glaciation" trilogy, consisting of The Seventh Continent (1989), Benny's Video (1992), and 71 Fragments of a Chronology of Chance (1994), each of which depict a "coldly bureaucratic society in which genuine human relationships have been supplanted by a deep-seated collective malaise" and explore "the relationship among consumerism, violence, mass media, and contemporary alienation". He went on to win the Cannes Film Festival's Grand Prix for The Piano Teacher (2001) as well as its Palme d'Or twice, for The White Ribbon (2009) and Amour (2012), the latter of which received five Academy Award nominations and won the Academy Award for Best Foreign Language Film. He also directed Funny Games (1997) and its 2007 remake, Code Unknown (2000), Time of the Wolf (2003), Caché (2005), and Happy End (2017).