Mervyn Peake Quote
The laugh of Doctor Prunesquallor was part of his conversation and quite alarming when heard for the first time. It appeared to be out of control as though it were a part of his voice, a top-storey of his vocal range that only came into its own when the doctor laughed. There was something about it of wind whistling through high rafters and there was a good deal of the horse’s whinny, with a touch of the curlew. When giving vent to it, the doctor’s mouth would be practically immobile like the door of a cabinet left ajar. Between the laughs he would speak very rapidly, which made the sudden stillness of his beautifully shaven jaws at the time of laughter all the more extraordinary. The laugh was not necessarily connected with humour at all. It was simply a part of his conversation.
The laugh of Doctor Prunesquallor was part of his conversation and quite alarming when heard for the first time. It appeared to be out of control as though it were a part of his voice, a top-storey of his vocal range that only came into its own when the doctor laughed. There was something about it of wind whistling through high rafters and there was a good deal of the horse’s whinny, with a touch of the curlew. When giving vent to it, the doctor’s mouth would be practically immobile like the door of a cabinet left ajar. Between the laughs he would speak very rapidly, which made the sudden stillness of his beautifully shaven jaws at the time of laughter all the more extraordinary. The laugh was not necessarily connected with humour at all. It was simply a part of his conversation.
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About Mervyn Peake
Peake also wrote poetry and literary nonsense in verse form, short stories for adults and children (Letters from a Lost Uncle, 1948), stage and radio plays, and Mr Pye (1953), a relatively tightly structured novel in which God implicitly mocks the evangelical pretensions and cosy world-view of the eponymous hero.
Peake first made his reputation as a painter and illustrator during the 1930s and 1940s, when he lived in London, and he was commissioned to produce portraits of well-known people. For a short time at the end of World War II he was commissioned by various newspapers to depict war scenes. A collection of his drawings is still in the possession of his family. Although he gained little popular success in his lifetime, his work was highly respected by his peers, and his friends included Dylan Thomas and Graham Greene. His works are now included in the collections of the National Portrait Gallery, the Imperial War Museum and The National Archives.
In 2008, The Times named Peake among their list of "The 50 greatest British writers since 1945".