Mario Vargas Llosa Quote
It is not bad that the main beneficiaries of freedom criticize open societies, where there is much that can be criticized. It is bad if they do so by taking the side of those who seek to destroy these open societies, replacing them with authoritarian regimes, as in Venezuela or Cuba. When many artists and intellectuals betray democratic ideals, they are not betraying abstract principles, but rather the thousands and millions of flesh-and-blood people who, under dictatorships, resist and fight to gain freedom. But the saddest thing is that this betrayal of the victims does not come from principles and convictions but rather from professional opportunism and posturing, gestures and actions adapted to circumstance. Many artists and intellectuals in our times have become very cheap.
It is not bad that the main beneficiaries of freedom criticize open societies, where there is much that can be criticized. It is bad if they do so by taking the side of those who seek to destroy these open societies, replacing them with authoritarian regimes, as in Venezuela or Cuba. When many artists and intellectuals betray democratic ideals, they are not betraying abstract principles, but rather the thousands and millions of flesh-and-blood people who, under dictatorships, resist and fight to gain freedom. But the saddest thing is that this betrayal of the victims does not come from principles and convictions but rather from professional opportunism and posturing, gestures and actions adapted to circumstance. Many artists and intellectuals in our times have become very cheap.
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About Mario Vargas Llosa
Vargas Llosa rose to international fame in the 1960s with novels such as The Time of the Hero (La ciudad y los perros, 1963/1966), The Green House (La casa verde, 1965/1968), and the monumental Conversation in The Cathedral (Conversación en La Catedral, 1969/1975). He wrote prolifically across various literary genres, including literary criticism and journalism. His novels include comedies, murder mysteries, historical novels, and political thrillers. He won the 1967 Rómulo Gallegos Prize and the 1986 Prince of Asturias Award. Several of his works have been adopted as feature films, such as Captain Pantoja and the Special Service (1973/1978) and Aunt Julia and the Scriptwriter (1977/1982). Vargas Llosa's perception of Peruvian society and his experiences as a native Peruvian influenced many of his works. Increasingly, he expanded his range and tackled themes from other parts of the world. In his essays, Vargas Llosa criticized nationalism in different parts of the world.
Like many Latin American writers, Vargas Llosa was politically active. While he initially supported the Cuban revolutionary government of Fidel Castro, Vargas Llosa later became disenchanted with its policies, particularly after the imprisonment of Cuban poet Heberto Padilla in 1971, and later identified as a liberal and held anti–left-wing ideas. He ran for the presidency of Peru with the centre-right Democratic Front coalition in the 1990 election, advocating for liberal reforms, but lost the election to Alberto Fujimori in a landslide.
Vargas Llosa continued his literary career while advocating for right-wing activists and candidates internationally following his exit from direct participation in Peruvian politics. He was awarded the 1994 Miguel de Cervantes Prize, the 1995 Jerusalem Prize, the 2010 Nobel Prize in Literature, the 2012 Carlos Fuentes Prize, and the 2018 Pablo Neruda Order of Artistic and Cultural Merit. In 2011, Vargas Llosa was made Marquess of Vargas Llosa by the Spanish king Juan Carlos I. In 2021, he was elected to the Académie Française.