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Mario Puzo Quote

В молодости некоторые женщины говорили, что любят меня за мои длинные ресницы. Я не спорил. Потом место ресниц заняло остроумие. Влиятельность и деньги. Талант. Наконец, мудрость. Ладно, я согласен на все. Пугает меня только одна женщина, которая любит меня таким, какой я есть. Но я знаю, что мне с ней делать. Я заготовил яды, кинжалы и сундуки в темных пещерах, чтобы спрятать в одном из них ее голову. Нельзя оставлять ее в живых. Прежде всего потому, что она верна мне, никогда не лжет и всегда ставит меня впереди всего остального.

Mario Puzo

В молодости некоторые женщины говорили, что любят меня за мои длинные ресницы. Я не спорил. Потом место ресниц заняло остроумие. Влиятельность и деньги. Талант. Наконец, мудрость. Ладно, я согласен на все. Пугает меня только одна женщина, которая любит меня таким, какой я есть. Но я знаю, что мне с ней делать. Я заготовил яды, кинжалы и сундуки в темных пещерах, чтобы спрятать в одном из них ее голову. Нельзя оставлять ее в живых. Прежде всего потому, что она верна мне, никогда не лжет и всегда ставит меня впереди всего остального.

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About Mario Puzo

Mario Francis Puzo (; Italian: [ˈmaːrjo ˈputtso, -ddzo]; October 15, 1920 – July 2, 1999) was an American author and screenwriter. He wrote crime novels about the Italian-American Mafia and Sicilian Mafia, most notably The Godfather (1969), which he later co-adapted into a film trilogy directed by Francis Ford Coppola. He received the Academy Award for Best Adapted Screenplay for the first film in 1972 and for Part II in 1974. Puzo also wrote the original screenplay for the 1978 Superman film and its 1980 sequel. His final novel, The Family, was released posthumously in 2001.