M. John Harrison Quote

The momentum of the charge carried Cromis twenty yards into the press without the need to strike a blow: Northmen fell to the hooves and shoulders of his horse and were trampled. He shouted obscenities at them, and made for the knoll, the smugglers a flying wedge behind him. A pikeman tore a long strip of flesh from the neck of his mount; Cromis hung out of the saddle and swung for the carotid artery; blade bit, and splashed with the piker's gore the horse reared and screamed in triumph. Cromis hung on and cut about him, laughing. The stink of horse-sweat and leather and blood was as sharp as a knife.

M. John Harrison

The momentum of the charge carried Cromis twenty yards into the press without the need to strike a blow: Northmen fell to the hooves and shoulders of his horse and were trampled. He shouted obscenities at them, and made for the knoll, the smugglers a flying wedge behind him. A pikeman tore a long strip of flesh from the neck of his mount; Cromis hung out of the saddle and swung for the carotid artery; blade bit, and splashed with the piker's gore the horse reared and screamed in triumph. Cromis hung on and cut about him, laughing. The stink of horse-sweat and leather and blood was as sharp as a knife.

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About M. John Harrison

Michael John Harrison (born 26 July 1945), known for publication purposes primarily as M. John Harrison, is an English author and literary critic. His work includes the Viriconium sequence of novels and short stories (1971–1984), Climbers (1989), and the Kefahuchi Tract trilogy, which consists of Light (2002), Nova Swing (2006) and Empty Space (2012).
He is widely considered one of the major stylists of modern fantasy and science fiction, and a "genre contrarian". Robert Macfarlane has said: "Harrison is best known as one of the restless fathers of modern SF, but to my mind he is among the most brilliant novelists writing today, with regard to whom the question of genre is an irrelevance." The Times Literary Supplement described him as "a singular stylist" and the Literary Review called him "a witty and truly imaginative writer".