Jonathan Franzen Quote
The father was dry-eyed but the mother kept erupting, like loudly, unprovoked, in a keening foreign wail that was almost like song; it sounded strangely ceremonial and impersonal, like a lament for an idea. Walter went alone to the morgue, without any idea. His love was resting beneath a sheet on a gurney of an awkward height, too high to be knelt by. Her hair was as ever, silky and black and thick, as ever, but there was something wrong with her jaw, some outrageously cruel and unforgivable injury, and her forehead, when he kissed it, was colder than any just universe could have allowed such a young person's forehead to be. The coldness entered him through his lips and didn't leave. What was over was over. His delight in the world had died, and there was no point in anything.
The father was dry-eyed but the mother kept erupting, like loudly, unprovoked, in a keening foreign wail that was almost like song; it sounded strangely ceremonial and impersonal, like a lament for an idea. Walter went alone to the morgue, without any idea. His love was resting beneath a sheet on a gurney of an awkward height, too high to be knelt by. Her hair was as ever, silky and black and thick, as ever, but there was something wrong with her jaw, some outrageously cruel and unforgivable injury, and her forehead, when he kissed it, was colder than any just universe could have allowed such a young person's forehead to be. The coldness entered him through his lips and didn't leave. What was over was over. His delight in the world had died, and there was no point in anything.
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About Jonathan Franzen
Franzen has contributed to The New Yorker magazine since 1994. His 1996 Harper's essay "Perchance to Dream" bemoaned the state of contemporary literature. Oprah Winfrey's book club selection in 2001 of The Corrections led to a much publicized feud with the talk show host.