John le Carre Quote

The novel’s merit, then—or its offence, depending where you stood—was not that it was authentic, but that it was credible. The bad dream turned out to be one that a lot of people in the world were sharing, since it asked the same old question that we are asking ourselves fifty years later: How far can we go in the rightful defence of our Western values without abandoning them along the way? My fictional chief of the British Service—I called him Control—had no doubt of the answer: I mean, you can’t be less ruthless than the opposition simply because your government’s policy is benevolent, can you now? Today, the same man, with better teeth and hair and a much smarter suit, can be heard explaining away the catastrophic illegal war in Iraq, or justifying medieval torture techniques as the preferred means of interrogation in the twenty-first century, or defending the inalienable right of closet psychopaths to bear semi-automatic weapons, and the use of unmanned drones as a risk-free method of assassinating one’s perceived enemies and anybody who has the bad luck to be standing near them. Or, as a loyal servant of his corporation, assuring us that smoking is harmless to the health of the Third World, and great banks are there to serve the public. What have I learned over the last fifty years? Come to think of it, not much. Just that the morals of the secret world are very like our own.

John le Carre

The novel’s merit, then—or its offence, depending where you stood—was not that it was authentic, but that it was credible. The bad dream turned out to be one that a lot of people in the world were sharing, since it asked the same old question that we are asking ourselves fifty years later: How far can we go in the rightful defence of our Western values without abandoning them along the way? My fictional chief of the British Service—I called him Control—had no doubt of the answer: I mean, you can’t be less ruthless than the opposition simply because your government’s policy is benevolent, can you now? Today, the same man, with better teeth and hair and a much smarter suit, can be heard explaining away the catastrophic illegal war in Iraq, or justifying medieval torture techniques as the preferred means of interrogation in the twenty-first century, or defending the inalienable right of closet psychopaths to bear semi-automatic weapons, and the use of unmanned drones as a risk-free method of assassinating one’s perceived enemies and anybody who has the bad luck to be standing near them. Or, as a loyal servant of his corporation, assuring us that smoking is harmless to the health of the Third World, and great banks are there to serve the public. What have I learned over the last fifty years? Come to think of it, not much. Just that the morals of the secret world are very like our own.

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About John le Carre

David John Moore Cornwell (19 October 1931 – 12 December 2020), better known by his pen name John le Carré ( lə-KARR-ay), was a British author, best known for his espionage novels, many of which were successfully adapted for film or television. A "sophisticated, morally ambiguous writer", he is considered one of the greatest novelists of the postwar era. During the 1950s and 1960s, he worked for both the Security Service (MI5) and the Secret Intelligence Service (MI6). Near the end of his life, le Carré became an Irish citizen.
Le Carré's third novel, The Spy Who Came in from the Cold (1963), became an international best-seller, was adapted as an award-winning film, and remains one of his best-known works. This success allowed him to leave MI6 to become a full-time author. His other novels that have been adapted for film or television include The Looking Glass War (1965), Tinker Tailor Soldier Spy (1974), Smiley's People (1979), The Little Drummer Girl (1983), The Russia House (1989), The Night Manager (1993), The Tailor of Panama (1996), The Constant Gardener (2001), A Most Wanted Man (2008) and Our Kind of Traitor (2010). In 2008, The Times named le Carré one of the "50 greatest British writers since 1945". Philip Roth said that A Perfect Spy (1986) was "the best English novel since the war".