John Fowles Quote

From the hills behind, came the solitary voice of a girl. She must have been bringing down the goats, and she was singing wildly. At the limit of her uninhibited voice, without any recognizable melody in Turkish Muslim intervals. It sounded disembodied, of place, not person. I remembered having heard a similar voice, perhaps this same girl's, singing one day on the hill behind the school. It had drifted down the hill into the classroom, and the boys had begun to giggle. But now, it seemed intensely mysterious, welling out of a solitude and suffering that made mine trivial and absurd. It held me under a spell. I sat with the gun across my knees, unable to move while the sound floated down through the evening air. I don't know how long she sang for, but the sky darkened, the sea paled to anachronous grey. Over the mountains, there were pinkish bars of high cloud and still strong light from the set sun. All the land and the sea held light, as if light was warmth, and did not fade as soon as the source was removed. But the voice dwindled towards the village, then died into silence.

John Fowles

From the hills behind, came the solitary voice of a girl. She must have been bringing down the goats, and she was singing wildly. At the limit of her uninhibited voice, without any recognizable melody in Turkish Muslim intervals. It sounded disembodied, of place, not person. I remembered having heard a similar voice, perhaps this same girl's, singing one day on the hill behind the school. It had drifted down the hill into the classroom, and the boys had begun to giggle. But now, it seemed intensely mysterious, welling out of a solitude and suffering that made mine trivial and absurd. It held me under a spell. I sat with the gun across my knees, unable to move while the sound floated down through the evening air. I don't know how long she sang for, but the sky darkened, the sea paled to anachronous grey. Over the mountains, there were pinkish bars of high cloud and still strong light from the set sun. All the land and the sea held light, as if light was warmth, and did not fade as soon as the source was removed. But the voice dwindled towards the village, then died into silence.

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About John Fowles

John Robert Fowles (; 31 March 1926 – 5 November 2005) was an English novelist of international renown, critically positioned between modernism and postmodernism. His work was influenced by Jean-Paul Sartre and Albert Camus, among others.
After leaving Oxford University, Fowles taught English at a school on the Greek island of Spetses, a sojourn that inspired The Magus (1965), an instant best-seller that was directly in tune with 1960s "hippy" anarchism and experimental philosophy. This was followed by The French Lieutenant's Woman (1969), a Victorian-era romance with a postmodern twist that was set in Lyme Regis, Dorset, where Fowles lived for much of his life. Later fictional works include The Ebony Tower (1974), Daniel Martin (1977), Mantissa
(1982), and A Maggot (1985).
Fowles's books have been translated into many languages, and several have been adapted as films.