John Barth Quote

How come you write the way you do? an apprentice writer in my Johns Hopkins workshop once disingenuously asked Donald Barthelme, who was visiting. Without missing a beat, Don replied, Because Samuel Beckett was already writing the way does.Asked another, smiling but serious, How can we become better writers than we are?Well, DB advised, for starters, read through the whole history of philosophy, from the pre-Socratics up through last semester. That might help.But Coach Barth has already advised us to read all of literature, from Gilgamesh up through last semester...That, too, Donald affirmed, and twinkled that shrewd Amish-farmer-from-West-11th-Street twinkle of his. You’re probably wasting time on things like eating and sleeping. Cease that, and read all of philosophy and all of literature. Also art. Plus politics and a few other things. The history of everything.

John Barth

How come you write the way you do? an apprentice writer in my Johns Hopkins workshop once disingenuously asked Donald Barthelme, who was visiting. Without missing a beat, Don replied, Because Samuel Beckett was already writing the way does.Asked another, smiling but serious, How can we become better writers than we are?Well, DB advised, for starters, read through the whole history of philosophy, from the pre-Socratics up through last semester. That might help.But Coach Barth has already advised us to read all of literature, from Gilgamesh up through last semester...That, too, Donald affirmed, and twinkled that shrewd Amish-farmer-from-West-11th-Street twinkle of his. You’re probably wasting time on things like eating and sleeping. Cease that, and read all of philosophy and all of literature. Also art. Plus politics and a few other things. The history of everything.

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About John Barth

John Simmons Barth (; May 27, 1930 – April 2, 2024) was an American writer best known for his postmodern and metafictional fiction. His most highly regarded and influential works were published in the 1960s, and include The Sot-Weed Factor, a whimsical retelling of Maryland's colonial history; Giles Goat-Boy, a satirical fantasy in which a university is a microcosm of the Cold War world; and Lost in the Funhouse, a self-referential and experimental collection of short stories. He was co-recipient of the National Book Award in 1973 for his episodic novel Chimera.