Joan Didion Quote
Why did I write it down? In order to remember, of course, but exactly what was it I wanted to remember? How much of it actually happened? Any of it? Why do I keep a notebook at all?It is easy to deceive oneself on all those scores. The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful if accidentally, only secondarily, in the way that compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle.Although I have felt compelled to write things down since I was five years old, I doubt my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearranger of things, anxious malcontents, children afflicted apparently at birth with some presentment of loss.
Why did I write it down? In order to remember, of course, but exactly what was it I wanted to remember? How much of it actually happened? Any of it? Why do I keep a notebook at all?It is easy to deceive oneself on all those scores. The impulse to write things down is a peculiarly compulsive one, inexplicable to those who do not share it, useful if accidentally, only secondarily, in the way that compulsion tries to justify itself. I suppose that it begins or does not begin in the cradle.Although I have felt compelled to write things down since I was five years old, I doubt my daughter ever will, for she is a singularly blessed and accepting child, delighted with life exactly as life presents itself to her, unafraid to wake up. Keepers of private notebooks are a different breed altogether, lonely and resistant rearranger of things, anxious malcontents, children afflicted apparently at birth with some presentment of loss.
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About Joan Didion
Didion's career began in the 1950s after she won an essay contest sponsored by Vogue magazine. Didion wrote essays for The Saturday Evening Post, Life, Esquire, The New York Review of Books and The New Yorker. Her writing during the 1960s through the late 1970s engaged audiences in the realities of the counterculture of the 1960s, the Hollywood lifestyle, and the history and culture of California. Didion's political writing in the 1980s and 1990s concentrated on the subtext of political rhetoric and the United States's foreign policy in Latin America. In 1991, she wrote the earliest mainstream media article to suggest the Central Park Five had been wrongfully convicted. In 2005, Didion won the National Book Award for Nonfiction and was a finalist for both the National Book Critics Circle Award and the Pulitzer Prize for The Year of Magical Thinking, a memoir of the year following the death of her husband, writer John Gregory Dunne. She later adapted the book into a play that premiered on Broadway in 2007. In 2013, she was awarded the National Humanities Medal by president Barack Obama. Didion was profiled in the Netflix documentary The Center Will Not Hold, directed by her nephew Griffin Dunne, in 2017.