Joan Didion Quote
We were that generation called silent, but we were silent neither, as some thought, because we shared the period's official optimism nor, as others thought, because we feared its official repression. We were silent because the exhilaration of social action seemed to many of us just one more way of escaping the personal, of masking for a while that dread of the meaningless which was man's fate.
Joan Didion
We were that generation called silent, but we were silent neither, as some thought, because we shared the period's official optimism nor, as others thought, because we feared its official repression. We were silent because the exhilaration of social action seemed to many of us just one more way of escaping the personal, of masking for a while that dread of the meaningless which was man's fate.
Related Quotes
I have drunk the night and swallowed the stars. I am dancing with abandon and singing with rapture. There is not a thing I do not love. There is not a person I have not forgiven. I feel a universe of...
Kamand Kojouri
Tags:
abandon, afterlife, bereavement, celebrate, celebration, dance, dancing, death, death poems, deceased
I want to think about trees. Trees have a curious relationship to the subject of the present moment. There are many created things in the universe that outlive us, that outlive the sun, even, but I ca...
Annie Dillard
Tags:
beauty, belief, consciousness, creation, curiosity, disbelief, energy, enoughness, epiphany, exploration
About Joan Didion
Joan Didion (; December 5, 1934 – December 23, 2021) was an American writer and journalist. She is considered one of the pioneers of New Journalism, along with Gay Talese, Truman Capote, Norman Mailer, Hunter S. Thompson, and Tom Wolfe.
Didion's career began in the 1950s after she won an essay contest sponsored by Vogue magazine. She went on to publish essays in The Saturday Evening Post, National Review, Life, Esquire, The New York Review of Books, and The New Yorker. Her writing during the 1960s through the late 1970s engaged audiences in the realities of the counterculture of the 1960s, the Hollywood lifestyle, and the history and culture of California. Didion's political writing in the 1980s and 1990s concentrated on political rhetoric and the United States's foreign policy in Latin America. In 1991, she wrote the earliest mainstream media article to suggest that the Central Park Five had been wrongfully convicted.
With her husband John Gregory Dunne, Didion wrote screenplays including The Panic in Needle Park (1971), A Star Is Born (1976), and Up Close & Personal (1996). In 2005, she won the National Book Award for Nonfiction and was a finalist for both the National Book Critics Circle Award and the Pulitzer Prize for The Year of Magical Thinking, a memoir of the year following the sudden death of her husband. She later adapted the book into a play that premiered on Broadway in 2007. In 2013, she was awarded the National Humanities Medal by president Barack Obama. Didion was profiled in the 2017 Netflix documentary The Center Will Not Hold, directed by her nephew Griffin Dunne.
Didion's career began in the 1950s after she won an essay contest sponsored by Vogue magazine. She went on to publish essays in The Saturday Evening Post, National Review, Life, Esquire, The New York Review of Books, and The New Yorker. Her writing during the 1960s through the late 1970s engaged audiences in the realities of the counterculture of the 1960s, the Hollywood lifestyle, and the history and culture of California. Didion's political writing in the 1980s and 1990s concentrated on political rhetoric and the United States's foreign policy in Latin America. In 1991, she wrote the earliest mainstream media article to suggest that the Central Park Five had been wrongfully convicted.
With her husband John Gregory Dunne, Didion wrote screenplays including The Panic in Needle Park (1971), A Star Is Born (1976), and Up Close & Personal (1996). In 2005, she won the National Book Award for Nonfiction and was a finalist for both the National Book Critics Circle Award and the Pulitzer Prize for The Year of Magical Thinking, a memoir of the year following the sudden death of her husband. She later adapted the book into a play that premiered on Broadway in 2007. In 2013, she was awarded the National Humanities Medal by president Barack Obama. Didion was profiled in the 2017 Netflix documentary The Center Will Not Hold, directed by her nephew Griffin Dunne.