Janet Malcolm Quote

Before the magisterial mess of Trevor Thomas's house, the orderly houses that most of us live in seem meagre and lifeless -- as, in the same way, the narratives called biographies pale and shrink in the face of the disorderly actuality that is a life. The house also stirred my imagination as a metaphor for the problem of writing. Each person who sits down to write faces not a blank page but his own overfilled mind. The problem is to clear out most of what is in it . . . The goal is to make a space where a few ideas and images and feelings may be so arranged that a reader will want to linger awhile among them, rather than to flee, as I wanted to flee from Thomas's house.

Janet Malcolm

Before the magisterial mess of Trevor Thomas's house, the orderly houses that most of us live in seem meagre and lifeless -- as, in the same way, the narratives called biographies pale and shrink in the face of the disorderly actuality that is a life. The house also stirred my imagination as a metaphor for the problem of writing. Each person who sits down to write faces not a blank page but his own overfilled mind. The problem is to clear out most of what is in it . . . The goal is to make a space where a few ideas and images and feelings may be so arranged that a reader will want to linger awhile among them, rather than to flee, as I wanted to flee from Thomas's house.

Related Quotes

About Janet Malcolm

Janet Clara Malcolm (born Jana Klara Wienerová; July 8, 1934 – June 16, 2021) was an American writer, staff journalist at The New Yorker magazine, and collagist who fled antisemitic persecution in Nazi-occupied Prague just before it became impossible to escape. She was the author of Psychoanalysis: The Impossible Profession (1981), In the Freud Archives (1984), and The Journalist and the Murderer (1990). Malcolm wrote frequently about psychoanalysis and explored the relationship between journalist and subject. She was known for her prose style and for polarizing criticism of her profession, especially in her most contentious work, The Journalist and the Murderer, which has become a staple of journalism-school curricula.