Jane Goldman Quote

The Bloomsbury Group has been characterised as a liberal, pacifist, and at times libertine, intellectual enclave of Cambridge-based privilege. The Cambridge men of the group (Bell, Forster, Fry, Keynes, Strachey, Sydney-Turner) were members of the elite and secret society of Cambridge Apostles. aesthetic understanding, and broader philosophy, were in part shaped by, and at first primarily interpreted in terms of, (male) Bloomsbury’s dominant aesthetic and philosophical preoccupations, rooted in the work of (a central influence on the Apostles), and culminating in Fry’s and differing brands of pioneering aesthetic formalism. ‘The main things which Moore instilled deep into our minds and characters,’ recalls, ‘were his peculiar passion for truth, for clarity and common sense, and a passionate belief in certain values.’Increasing awareness of Woolf’s feminism, however, and of the influence on her work of other women artists, writers and thinkers has meant that these Moorean and male points of reference, though of importance, are no longer considered adequate in approaching Woolf’s work, and her intellectual development under the tutelage of women, together with her involvement with feminist thinkers and activists, is also now acknowledged.

Jane Goldman

The Bloomsbury Group has been characterised as a liberal, pacifist, and at times libertine, intellectual enclave of Cambridge-based privilege. The Cambridge men of the group (Bell, Forster, Fry, Keynes, Strachey, Sydney-Turner) were members of the elite and secret society of Cambridge Apostles. aesthetic understanding, and broader philosophy, were in part shaped by, and at first primarily interpreted in terms of, (male) Bloomsbury’s dominant aesthetic and philosophical preoccupations, rooted in the work of (a central influence on the Apostles), and culminating in Fry’s and differing brands of pioneering aesthetic formalism. ‘The main things which Moore instilled deep into our minds and characters,’ recalls, ‘were his peculiar passion for truth, for clarity and common sense, and a passionate belief in certain values.’Increasing awareness of Woolf’s feminism, however, and of the influence on her work of other women artists, writers and thinkers has meant that these Moorean and male points of reference, though of importance, are no longer considered adequate in approaching Woolf’s work, and her intellectual development under the tutelage of women, together with her involvement with feminist thinkers and activists, is also now acknowledged.

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About Jane Goldman

Jane Loretta Anne Goldman (born 11 June 1970) is a British screenwriter and producer. She is mostly known for collaborating with director Matthew Vaughn on the screenplays of Kingsman: The Secret Service (2014) and its sequel Kingsman: The Golden Circle (2017), as well as X-Men: First Class (2011), Kick-Ass (2010) and Stardust (2007). Goldman also worked on the story of X-Men: Days of Future Past (2014), the sequel to First Class, again in partnership with Vaughn. Both met high critical praise for their work.
Goldman's first solo screenplay is The Woman in Black (2012). She also wrote the script for The Limehouse Golem and Tim Burton's Miss Peregrine's Home for Peculiar Children, both released in 2016. She's the writer of Edgar Wright's upcoming thriller The Chain.
She has also written books such as The X-Files Book of the Unexplained (1995) and the novel Dreamworld (2000). Goldman presented her own TV show, Jane Goldman Investigates (2003–04), a non-fiction series on the paranormal, for the channel Living.