James Salter Quote
None of this is true. I’ve said Autun, but it could easily have been Auxerre. I’m sure you’ll come to realize that. I am only putting down details which entered me, fragments that were able to part my flesh. It’s a story of things that never existed although even the faintest doubt of that, the smallest possibility, plunges everything into darkness. I only want whoever reads this to be as resigned as I am. There’s enough passion in the world already. Everything trembles with it. Not that I believe it shouldn’t exist, no, no, but this is only a thin, reflecting sliver which somehow keeps catching the light.
James Salter
None of this is true. I’ve said Autun, but it could easily have been Auxerre. I’m sure you’ll come to realize that. I am only putting down details which entered me, fragments that were able to part my flesh. It’s a story of things that never existed although even the faintest doubt of that, the smallest possibility, plunges everything into darkness. I only want whoever reads this to be as resigned as I am. There’s enough passion in the world already. Everything trembles with it. Not that I believe it shouldn’t exist, no, no, but this is only a thin, reflecting sliver which somehow keeps catching the light.
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About James Salter
James Arnold Horowitz (June 10, 1925 – June 19, 2015), better known as James Salter, his pen name and later-adopted legal name, was an American novelist and short-story writer. Originally a career officer and pilot in the United States Air Force, he resigned from the military in 1957 following the successful publication of his first novel, The Hunters.
After a brief career in film writing and film directing, in 1979 Salter published the novel Solo Faces. He won numerous literary awards for his works, including belated recognition of works originally criticized at the time of their publication.
After a brief career in film writing and film directing, in 1979 Salter published the novel Solo Faces. He won numerous literary awards for his works, including belated recognition of works originally criticized at the time of their publication.