James Baldwin Quote
The people who have managed to get off this block have only got as far as a more respectable ghetto. This respectable ghetto does not even have the advantages of the disreputable one—friends, neighbors, a familiar church, and friendly tradesmen; and it is not, moreover, in the nature of any ghetto to remain respectable long. Every Sunday, people who have left the block take the lonely ride back, dragging their increasingly discontented children with them. They spend the day talking, not always with words, about the trouble they’ve seen and the trouble—one must watch their eyes as they watch their children—they are only too likely to see. For children do not like ghettos. It takes them nearly no time to discover exactly why they are there.
The people who have managed to get off this block have only got as far as a more respectable ghetto. This respectable ghetto does not even have the advantages of the disreputable one—friends, neighbors, a familiar church, and friendly tradesmen; and it is not, moreover, in the nature of any ghetto to remain respectable long. Every Sunday, people who have left the block take the lonely ride back, dragging their increasingly discontented children with them. They spend the day talking, not always with words, about the trouble they’ve seen and the trouble—one must watch their eyes as they watch their children—they are only too likely to see. For children do not like ghettos. It takes them nearly no time to discover exactly why they are there.
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About James Baldwin
Baldwin's fiction posed fundamental personal questions and dilemmas amid complex social and psychological pressures. Themes of masculinity, sexuality, race, and class intertwine to create intricate narratives that influenced both the civil rights movement and the gay liberation movement in mid-twentieth century America. His protagonists are often but not exclusively African-American, and gay and bisexual men feature prominently in his work (as in his 1956 novel Giovanni's Room). His characters typically face internal and external obstacles in their search for self- and social acceptance.
Baldwin's work continues to influence artists and writers. His unfinished manuscript Remember This House was expanded and adapted as the 2016 documentary film I Am Not Your Negro, winning the BAFTA Award for Best Documentary. His 1974 novel If Beale Street Could Talk was adapted into a 2018 film of the same name, which earned widespread praise.