James Baldwin Quote
If Americans were not so terrified of their private selves, they would never have needed to invent and could never have become so dependent on what they still call the Negro problem. This problem, which they invented in order to safeguard their purity, has made of them criminals and monsters, and it is destroying them; and this not from anything blacks may or may not be doing but because of the role a guilty and constricted white imagination has assigned to the blacks. That the scapegoat pays for the sins of others is well known, but this is only legend, and a revealing one at that. In fact, however the scapegoat may be made to suffer, his suffering cannot purify the sinner; it merely incriminates him the more, and it seals his damnation. The scapegoat, eventually, is released, to death: his murderer continues to live.
If Americans were not so terrified of their private selves, they would never have needed to invent and could never have become so dependent on what they still call the Negro problem. This problem, which they invented in order to safeguard their purity, has made of them criminals and monsters, and it is destroying them; and this not from anything blacks may or may not be doing but because of the role a guilty and constricted white imagination has assigned to the blacks. That the scapegoat pays for the sins of others is well known, but this is only legend, and a revealing one at that. In fact, however the scapegoat may be made to suffer, his suffering cannot purify the sinner; it merely incriminates him the more, and it seals his damnation. The scapegoat, eventually, is released, to death: his murderer continues to live.
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About James Baldwin
Baldwin's fiction posed fundamental personal questions and dilemmas amid complex social and psychological pressures. Themes of masculinity, sexuality, race, and class intertwine to create intricate narratives that influenced both the civil rights movement and the gay liberation movement in mid-twentieth century America. His protagonists are often but not exclusively African-American; gay and bisexual men feature prominently in his work (as in his 1956 novel Giovanni's Room). His characters typically face internal and external obstacles in their search for self- and social acceptance.
Baldwin's work continues to influence artists and writers. His unfinished manuscript Remember This House was expanded and adapted as the 2016 documentary film I Am Not Your Negro, winning the BAFTA Award for Best Documentary. His 1974 novel If Beale Street Could Talk was adapted into a 2018 film of the same name, which earned widespread praise.