Graham Greene Quote
Oh, she doesn't belong to anybody now,' he said, and suddenly I saw her for what she was - a piece of refuse waiting to be cleared away: if you needed a bit of hair you could take it, or trim her nails if nail trimmings had value to you. Like a saint's her bones could be divided up - if anybody required them. She was going to be burnt soon, so why shouldn't everybody have what he wanted first? What a fool I had been during three years to imagine that in any way I had possessed her. We are all possessed by nobody, not even by ourselves.
Graham Greene
Oh, she doesn't belong to anybody now,' he said, and suddenly I saw her for what she was - a piece of refuse waiting to be cleared away: if you needed a bit of hair you could take it, or trim her nails if nail trimmings had value to you. Like a saint's her bones could be divided up - if anybody required them. She was going to be burnt soon, so why shouldn't everybody have what he wanted first? What a fool I had been during three years to imagine that in any way I had possessed her. We are all possessed by nobody, not even by ourselves.
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About Graham Greene
Henry Graham Greene (2 October 1904 – 3 April 1991) was an English writer and journalist regarded by many as one of the leading novelists of the 20th century.
Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted for the Nobel Prize in Literature several times. Through 67 years of writing, which included over 25 novels, he explored the conflicting moral and political issues of the modern world. The Power and the Glory won the 1941 Hawthornden Prize and The Heart of the Matter won the 1948 James Tait Black Memorial Prize and was shortlisted for the Best of the James Tait Black. Greene was awarded the 1968 Shakespeare Prize and the 1981 Jerusalem Prize. Several of his stories have been filmed, some more than once, and he collaborated with filmmaker Carol Reed on The Fallen Idol (1948) and The Third Man (1949).
He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic".
He died in 1991, aged 86, of leukemia, and was buried in Corseaux cemetery in Switzerland. William Golding called Greene "the ultimate chronicler of twentieth-century man's consciousness and anxiety". V. S. Pritchett called him "The most ingenious, inventive and exciting of our novelists, rich in exactly etched and moving portraits of real human beings and who understands the tragic and comic ironies of love, loyalty and belief."
Combining literary acclaim with widespread popularity, Greene acquired a reputation early in his lifetime as a major writer, both of serious Catholic novels, and of thrillers (or "entertainments" as he termed them). He was shortlisted for the Nobel Prize in Literature several times. Through 67 years of writing, which included over 25 novels, he explored the conflicting moral and political issues of the modern world. The Power and the Glory won the 1941 Hawthornden Prize and The Heart of the Matter won the 1948 James Tait Black Memorial Prize and was shortlisted for the Best of the James Tait Black. Greene was awarded the 1968 Shakespeare Prize and the 1981 Jerusalem Prize. Several of his stories have been filmed, some more than once, and he collaborated with filmmaker Carol Reed on The Fallen Idol (1948) and The Third Man (1949).
He converted to Catholicism in 1926 after meeting his future wife, Vivien Dayrell-Browning. Later in life he took to calling himself a "Catholic agnostic".
He died in 1991, aged 86, of leukemia, and was buried in Corseaux cemetery in Switzerland. William Golding called Greene "the ultimate chronicler of twentieth-century man's consciousness and anxiety". V. S. Pritchett called him "The most ingenious, inventive and exciting of our novelists, rich in exactly etched and moving portraits of real human beings and who understands the tragic and comic ironies of love, loyalty and belief."