Gore Vidal Quote
I have been reading Plotinus all evening. He has the power to sooth me; and I find his sadness curiously comforting. Even when he writes: Life here with the things of earth is a sinking, a defeat, a failure of the wing. The wing has indeed failed. One sinks. Defeat is certain. Even as I write these lines, the lamp wick sputters to an end, and the pool of light in which I sit contracts. Soon the room will be dark. One has always feared that death would be like this. But what else is there? With Julian, the light went, and now nothing remains but to let the darkness come, and hope for a new sun and another day, born of time’s mystery and a man’s love of life.
Gore Vidal
I have been reading Plotinus all evening. He has the power to sooth me; and I find his sadness curiously comforting. Even when he writes: Life here with the things of earth is a sinking, a defeat, a failure of the wing. The wing has indeed failed. One sinks. Defeat is certain. Even as I write these lines, the lamp wick sputters to an end, and the pool of light in which I sit contracts. Soon the room will be dark. One has always feared that death would be like this. But what else is there? With Julian, the light went, and now nothing remains but to let the darkness come, and hope for a new sun and another day, born of time’s mystery and a man’s love of life.
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About Gore Vidal
A grandson of U.S. Senator Thomas Gore, Vidal was born into an upper-class political family. As a political commentator and essayist, Vidal's primary focus was the history and society of the United States, especially how a militaristic foreign policy reduced the country to a decadent empire. His political and cultural essays were published in The Nation, the New Statesman, the New York Review of Books, and Esquire magazines. As a public intellectual, Gore Vidal's topical debates on sex, politics, and religion with other intellectuals and writers occasionally turned into quarrels with the likes of William F. Buckley Jr. and Norman Mailer.
As a novelist, Vidal explored the nature of corruption in public and private life. His style of narration evoked the time and place of his stories, and delineated the psychology of his characters. His third novel, The City and the Pillar (1948), offended the literary, political, and moral sensibilities of conservative book reviewers, the plot being about a dispassionately presented male homosexual relationship.
In the historical novel genre, Vidal recreated the imperial world of Julian the Apostate (r. AD 361–363) in Julian (1964). Julian was the Roman emperor who attempted to re-establish Roman polytheism to counter Christianity. In social satire, Myra Breckinridge (1968) explores the mutability of gender roles and sexual orientation as being social constructs established by social mores.: 94–100 In Burr (1973) and Lincoln (1984), both part of his Narratives of Empire series of novels, each protagonist is presented as "A Man of the People" and as "A Man" in a narrative exploration of how the public and private facets of personality affect the national politics of the United States.: 439 : 75–85