G.K. Chesterton Quote
I think the oddest thing about the advanced people is that while they are always talking of things as problems, they have hardly any notion of what a real problem is. A real problem only occurs when there are admittedly disadvantages in all courses that can be pursued. If it is discovered just before a fashionable wedding that the Bishop is locked up in the coal-cellar, that is not a problem. It is obvious to anyone but an extreme anti-clerical or practical joker that the Bishop must be let out of the coal-cellar. But suppose the Bishop has been locked up in the wine-cellar, and from the obscure noises, sounds as of song and dance, etc., it is guessed that he has indiscreetly tested the vintages round him; then indeed we may properly say that there has arisen a problem; for upon the one hand, it is awkward to keep the wedding waiting, while, upon the other, any hasty opening of the door might mean an episcopal rush and scenes of the most unforeseen description.
I think the oddest thing about the advanced people is that while they are always talking of things as problems, they have hardly any notion of what a real problem is. A real problem only occurs when there are admittedly disadvantages in all courses that can be pursued. If it is discovered just before a fashionable wedding that the Bishop is locked up in the coal-cellar, that is not a problem. It is obvious to anyone but an extreme anti-clerical or practical joker that the Bishop must be let out of the coal-cellar. But suppose the Bishop has been locked up in the wine-cellar, and from the obscure noises, sounds as of song and dance, etc., it is guessed that he has indiscreetly tested the vintages round him; then indeed we may properly say that there has arisen a problem; for upon the one hand, it is awkward to keep the wedding waiting, while, upon the other, any hasty opening of the door might mean an episcopal rush and scenes of the most unforeseen description.
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About G.K. Chesterton
Chesterton created the fictional priest-detective Father Brown, and wrote on apologetics, such as his works Orthodoxy and The Everlasting Man. Chesterton routinely referred to himself as an orthodox Christian, and came to identify this position more and more with Catholicism, eventually converting from high church Anglicanism. Biographers have identified him as a successor to such Victorian authors as Matthew Arnold, Thomas Carlyle, John Henry Newman and John Ruskin.
He has been referred to as the "prince of paradox". Of his writing style, Time observed: "Whenever possible, Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." His writings were an influence on Jorge Luis Borges, who compared his work with that of Edgar Allan Poe.