Gillian Flynn Quote

House, already worrying my car might get stuck and what would happen if my car got stuck. From behind the storm clouds, the late afternoon sun arrived just in time to blind me as I slammed the door shut and walked toward the house, my gut cold. As I neared the front steps, a big momma possum shot out from under the porch, hissing at me. The thing unnerved me, that pointy white face and those black eyes looking like something that should already be dead. Plus momma possums are nasty bitches. It ran to the bushes, and I kicked the steps to make sure there weren’t more, then climbed them. My lopsided right foot swished around in my boot. A dreamcatcher hung near the door, dangling carved animal teeth and feathers. Just as the rain brings out the concrete smells of the city, it had summoned up the smell of soil and manure here. It smelled like home, which wasn’t right. A long, loose pause followed my knock on the door, and then quiet feet approached. Diondra opened the door, decidedly undead. She didn’t even look that different from the photos I’d seen. She’d ditched the spiral perm, but still wore her hair in loose dark waves, still wore thick black eyeliner that made her eyes look Easter-blue, like pieces of candy.

Gillian Flynn

House, already worrying my car might get stuck and what would happen if my car got stuck. From behind the storm clouds, the late afternoon sun arrived just in time to blind me as I slammed the door shut and walked toward the house, my gut cold. As I neared the front steps, a big momma possum shot out from under the porch, hissing at me. The thing unnerved me, that pointy white face and those black eyes looking like something that should already be dead. Plus momma possums are nasty bitches. It ran to the bushes, and I kicked the steps to make sure there weren’t more, then climbed them. My lopsided right foot swished around in my boot. A dreamcatcher hung near the door, dangling carved animal teeth and feathers. Just as the rain brings out the concrete smells of the city, it had summoned up the smell of soil and manure here. It smelled like home, which wasn’t right. A long, loose pause followed my knock on the door, and then quiet feet approached. Diondra opened the door, decidedly undead. She didn’t even look that different from the photos I’d seen. She’d ditched the spiral perm, but still wore her hair in loose dark waves, still wore thick black eyeliner that made her eyes look Easter-blue, like pieces of candy.

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About Gillian Flynn

Gillian Schieber Flynn (; born February 24, 1971) is an American author, screenwriter, and producer. She is known for writing the thriller and mystery novels Sharp Objects (2006), Dark Places (2009), and Gone Girl (2012), which are all critically acclaimed. Her books have been published in 40 languages, and according to The Washington Post, as of 2016 Gone Girl alone has sold more than 15 million copies.
Flynn wrote the script for the 2014 film adaptation of Gone Girl, directed by David Fincher. For it she won the Critics' Choice Movie Award for Best Adapted Screenplay and was nominated for the Writers Guild of America and the BAFTA awards, among others.
The author also wrote and produced the HBO limited series adaptation of Sharp Objects, for which she was nominated for the Primetime Emmy and the Writers Guild of America Award. Flynn also co-wrote with director Steve McQueen the screenplay of the film Widows (2018).
She has also served as showrunner, writer, and executive producer on Amazon Prime Video's sci-fi thriller series Utopia (2020), which ran for one season.
She is currently writing her fourth novel; it is set to be published by Penguin Random House.