Gillian Flynn Quote

For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. , the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: . I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls.It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else.I would have done anything to feel real again.

Gillian Flynn

For several years, I had been bored. Not a whining, restless child's boredom (although I was not above that) but a dense, blanketing malaise. It seemed to me that there was nothing new to be discovered ever again. Our society was utterly, ruinously derivative (although the word as a criticism is itself derivative). We were the first human beings who would never see anything for the first time. We stare at the wonders of the world, dull-eyed, underwhelmed. , the Pyramids, the Empire State Building. Jungle animals on attack, ancient icebergs collapsing, volcanoes erupting. I can't recall a single amazing thing I have seen firsthand that I didn't immediately reference to a movie or TV show. A fucking commercial. You know the awful singsong of the blasé: . I've literally seen it all, and the worst thing, the thing that makes me want to blow my brains out, is: The secondhand experience is always better. The image is crisper, the view is keener, the camera angle and the soundtrack manipulate my emotions in a way reality can't anymore. I don't know that we are actually human at this point, those of us who are like most of us, who grew up with TV and movies and now the Internet. If we are betrayed, we know the words to say; when a loved one dies, we know the words to say. If we want to play the stud or the smart-ass or the fool, we know the words to say. We are all working from the same dog-eared script.It's a very difficult era in which to be a person, just a real, actual person, instead of a collection of personality traits selected from an endless Automat of characters. And if all of us are play-acting, there can be no such thing as a soul mate, because we don't have genuine souls.It had gotten to the point where it seemed like nothing matters, because I'm not a real person and neither is anyone else.I would have done anything to feel real again.

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About Gillian Flynn

Gillian Schieber Flynn (; born February 24, 1971) is an American author, screenwriter, and producer. She is known for writing the thriller and mystery novels Sharp Objects (2006), Dark Places (2009), and Gone Girl (2012), which are all critically acclaimed. Her books have been published in 40 languages, and according to The Washington Post, as of 2016 Gone Girl alone has sold more than 15 million copies.
Flynn wrote the script for the 2014 film adaptation of Gone Girl, directed by David Fincher. For it she won the Critics' Choice Movie Award for Best Adapted Screenplay and was nominated for the Writers Guild of America and the BAFTA awards, among others.
The author also wrote and produced the HBO limited series adaptation of Sharp Objects, for which she was nominated for the Primetime Emmy and the Writers Guild of America Award. Flynn also co-wrote with director Steve McQueen the screenplay of the film Widows (2018).
She has also served as showrunner, writer, and executive producer on Amazon Prime Video's sci-fi thriller series Utopia (2020), which ran for one season.
She is currently writing her fourth novel; it is set to be published by Penguin Random House.