Flannery O'Connor Quote
Leave!’ Hazel Motes cried. ‘Go ahead and leave! The truth don’t matter to you. Listen,’ he said, pointing his finger at the rest of them, ‘the truth don’t matter to you. If Jesus had redeemed you, what difference would it make to you? You wouldn’t do nothing about it. Your faces wouldn’t move, neither this way nor that, and if it was three crosses there and Him hung on the middle one, that wouldn’t mean no more to you and me than the other two. Listen here. What you need is something to take the place of Jesus, something that would speak plain. The Church Without Christ don’t have a Jesus but it needs one! It needs a new jesus! It needs one that’s all man, without blood to waste, and it needs one that don’t look like any other man so you’ll look at him. Give me such a jesus, you people. Give me such a new jesus and you’ll see how far the Church Without Christ can go!
Leave!’ Hazel Motes cried. ‘Go ahead and leave! The truth don’t matter to you. Listen,’ he said, pointing his finger at the rest of them, ‘the truth don’t matter to you. If Jesus had redeemed you, what difference would it make to you? You wouldn’t do nothing about it. Your faces wouldn’t move, neither this way nor that, and if it was three crosses there and Him hung on the middle one, that wouldn’t mean no more to you and me than the other two. Listen here. What you need is something to take the place of Jesus, something that would speak plain. The Church Without Christ don’t have a Jesus but it needs one! It needs a new jesus! It needs one that’s all man, without blood to waste, and it needs one that don’t look like any other man so you’ll look at him. Give me such a jesus, you people. Give me such a new jesus and you’ll see how far the Church Without Christ can go!
Related Quotes
Christians sometimes make themselves into elephants afraid of mice. You have the Creator of the universe on your side; not to mention, you've been given eternal life. 'Whom or what shall you fear?' To...
About Flannery O'Connor
She was a Southern writer who often wrote in a sardonic Southern Gothic style and relied heavily on regional settings and grotesque characters, often in violent situations. An unsentimental acceptance or rejection of the limitations, imperfections or differences of these characters (whether attributed to disability, race, crime, religion or sanity) typically underpins the drama.
Her writing reflects her Roman Catholic faith and frequently examines questions of Catholicism-defined morality and ethics. Her posthumously compiled Complete Stories won the 1972 U.S. National Book Award for Fiction and has been the subject of enduring praise.