F. Scott Fitzgerald Quote
If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the creative temperament--it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No--Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.
If personality is an unbroken series of successful gestures, then there was something gorgeous about him, some heightened sensitivity to the promises of life, as if he were related to one of those intricate machines that register earthquakes ten thousand miles away. This responsiveness had nothing to do with that flabby impressionability which is dignified under the name of the creative temperament--it was an extraordinary gift for hope, a romantic readiness such as I have never found in any other person and which it is not likely I shall ever find again. No--Gatsby turned out all right at the end; it is what preyed on Gatsby, what foul dust floated in the wake of his dreams that temporarily closed out my interest in the abortive sorrows and short-winded elations of men.
Related Quotes
About F. Scott Fitzgerald
Fitzgerald was born into a middle-class family in Saint Paul, Minnesota, but he was raised primarily in New York state. He attended Princeton University where he befriended future literary critic Edmund Wilson. He had a failed romantic relationship with Chicago socialite Ginevra King and dropped out of Princeton in 1917 to join the Army during World War I. While stationed in Alabama, he met Zelda Sayre, a Southern debutante who belonged to Montgomery's exclusive country-club set. She initially rejected Fitzgerald's marriage proposal due to his lack of financial prospects, but she agreed to marry him after he published the commercially successful This Side of Paradise (1920). The novel became a cultural sensation and cemented his reputation as one of the eminent writers of the decade.
His second novel The Beautiful and Damned (1922) propelled Fitzgerald further into the cultural elite. To maintain his affluent lifestyle, he wrote numerous stories for popular magazines such as The Saturday Evening Post, Collier's Weekly, and Esquire. He frequented Europe during this period, where he befriended modernist writers and artists of the "Lost Generation" expatriate community, including Ernest Hemingway. His third novel The Great Gatsby (1925) received generally favorable reviews but was a commercial failure, selling fewer than 23,000 copies in its first year. Despite its lackluster debut, The Great Gatsby is now hailed by some literary critics as the "Great American Novel". Fitzgerald completed his final novel Tender Is the Night (1934) following the deterioration of his wife's mental health and her placement in a mental institution for schizophrenia.
Fitzgerald struggled financially because of the declining popularity of his works during the Great Depression. He then moved to Hollywood where he embarked on an unsuccessful career as a screenwriter. While living in Hollywood, he cohabited with columnist Sheilah Graham, his final companion before his death. He had long struggled with alcoholism, and he attained sobriety only to die of a heart attack in 1940 at age 44. His friend Edmund Wilson edited and published the unfinished fifth novel The Last Tycoon (1941). Wilson described Fitzgerald's style: "romantic, but also cynical; he is bitter as well as ecstatic; astringent as well as lyrical. He casts himself in the role of playboy, yet at the playboy he incessantly mocks. He is vain, a little malicious, of quick intelligence and wit, and has the Irish gift for turning language into something iridescent and surprising."