Enid Blyton Quote
Son of the old woman. They may have had a prearranged plan.’ ‘How do you mean?’ asked Dick, looking puzzled. ‘Well – the old woman’s son, Dirty Dick, may have known that when the bells rang out, this fellow was making a run for it – and would come to bring him a message. He was to wait in the barn at night if the bells rang, just in case it was Nailer’s friend who had escaped.’ ‘Yes, I see,’ said Dick. ‘I think you’re right. Yes, I’m sure you are. My word, I’m glad I didn’t know that fellow at the window was an escaped convict!’ ‘And you’ve got the message from Nailer!’ said Anne. ‘What a peculiar thing! Just because we lost our way and went to the wrong place, you get a message from a prisoner given you by one who’s escaped! It’s a pity we don’t know what the message means – or the paper either.’ ‘Had we better tell the police?’ said George. ‘I mean – it may be important. It might help them to catch that man.’ ‘Yes,’ said Julian. ‘I think we should tell the police. Let’s have a look at
Son of the old woman. They may have had a prearranged plan.’ ‘How do you mean?’ asked Dick, looking puzzled. ‘Well – the old woman’s son, Dirty Dick, may have known that when the bells rang out, this fellow was making a run for it – and would come to bring him a message. He was to wait in the barn at night if the bells rang, just in case it was Nailer’s friend who had escaped.’ ‘Yes, I see,’ said Dick. ‘I think you’re right. Yes, I’m sure you are. My word, I’m glad I didn’t know that fellow at the window was an escaped convict!’ ‘And you’ve got the message from Nailer!’ said Anne. ‘What a peculiar thing! Just because we lost our way and went to the wrong place, you get a message from a prisoner given you by one who’s escaped! It’s a pity we don’t know what the message means – or the paper either.’ ‘Had we better tell the police?’ said George. ‘I mean – it may be important. It might help them to catch that man.’ ‘Yes,’ said Julian. ‘I think we should tell the police. Let’s have a look at
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About Enid Blyton
Her first book, Child Whispers, a 24-page collection of poems, was published in 1922. Following the commercial success of her early novels, such as Adventures of the Wishing-Chair (1937) and The Enchanted Wood (1939), Blyton went on to build a literary empire, sometimes producing fifty books a year in addition to her prolific magazine and newspaper contributions. Her writing was unplanned and sprang largely from her unconscious mind; she typed her stories as events unfolded before her. The sheer volume of her work and the speed with which she produced it led to rumours that Blyton employed an army of ghost writers, a charge she vigorously denied.
Blyton's work became increasingly controversial among literary critics, teachers, and parents beginning in the 1950s due to the alleged unchallenging nature of her writing and her themes, particularly in the Noddy series. Some libraries and schools banned her works, and from the 1930s until the 1950s, the BBC refused to broadcast her stories because of their perceived lack of literary merit. Her books have been criticised as elitist, sexist, racist, xenophobic, and at odds with the more progressive environment that was emerging in post-World War II Britain, but updated versions of her books continue to be popular since her death in 1968.
She felt she had a responsibility to provide her readers with a strong moral framework, so she encouraged them to support worthy causes. In particular, through the clubs she set up or supported, she encouraged and organised them to raise funds for animal and paediatric charities.
The story of Blyton's life was dramatised in Enid, a BBC television film featuring Helena Bonham Carter in the title role. It was first broadcast in the UK on BBC Four in 2009.