Ed McBain Quote
The widow of Michael Reardon was a full‐breasted woman in her late thirties. She had dark hair and green eyes, and an Irish nose spattered with a clichéful of freckles. She had a face for merry‐go‐rounds and roller coaster rides, a face that could split in laughter and girlish glee when water was splashed on her at the seashore. She was a girl who could get drunk sniffing the vermouth cork before it was passed over a martini. She was a girl who went to church on Sundays, a girl who’d belonged to the Newman Club when she was younger, a girl who was a virgin two days after Mike
Ed McBain
The widow of Michael Reardon was a full‐breasted woman in her late thirties. She had dark hair and green eyes, and an Irish nose spattered with a clichéful of freckles. She had a face for merry‐go‐rounds and roller coaster rides, a face that could split in laughter and girlish glee when water was splashed on her at the seashore. She was a girl who could get drunk sniffing the vermouth cork before it was passed over a martini. She was a girl who went to church on Sundays, a girl who’d belonged to the Newman Club when she was younger, a girl who was a virgin two days after Mike
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About Ed McBain
His other notable works include The Blackboard Jungle, a semi-autobiographical novel about life in a troubled inner-city school, which was adapted into a hit 1955 film of the same name. He also wrote the screenplay for Alfred Hitchcock’s 1963 film The Birds, based on the Daphne du Maurier short story.
Hunter, who legally adopted that name in 1952, also used the pen names John Abbott, Curt Cannon, Hunt Collins, Ezra Hannon and Richard Marsten, among others.