Douglas Coupland Quote

John watched the pale black road, and he remembered a single moment during his time away in the wilderness. He wished he had told Doris about it-a single moment in Needles, California, months and months ago, facing west in the late afternoon. There had been a heavy rainstorm over just a small, localized patch of the desert, and from the patch beside it, a dust storm blew in. The sun caught the dust and the moisture in a way John had never seen before, and even though he knew it was backward, it seemed to him the sun was radiating black sunbeams down onto the earth, onto Interstate 40 and the silver river of endless pioneers that flowed from one part of the continent to the other. John felt that he and everybody in the New World was a part of a mixed curse and blessing from God, that they were a race of strangers, perpetually casting themselves into new fires, yearning to burn, yearning to rise from the charcoal, always newer and more wonderful, always thirsty, always starving, always believing that whatever came to them next would mercifully erase the creatures they'd already become as they crawled along the plastic radiant way.

Douglas Coupland

John watched the pale black road, and he remembered a single moment during his time away in the wilderness. He wished he had told Doris about it-a single moment in Needles, California, months and months ago, facing west in the late afternoon. There had been a heavy rainstorm over just a small, localized patch of the desert, and from the patch beside it, a dust storm blew in. The sun caught the dust and the moisture in a way John had never seen before, and even though he knew it was backward, it seemed to him the sun was radiating black sunbeams down onto the earth, onto Interstate 40 and the silver river of endless pioneers that flowed from one part of the continent to the other. John felt that he and everybody in the New World was a part of a mixed curse and blessing from God, that they were a race of strangers, perpetually casting themselves into new fires, yearning to burn, yearning to rise from the charcoal, always newer and more wonderful, always thirsty, always starving, always believing that whatever came to them next would mercifully erase the creatures they'd already become as they crawled along the plastic radiant way.

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About Douglas Coupland

Douglas Coupland (born 30 December 1961) is a Canadian novelist, designer, and visual artist. His first novel, the 1991 international bestseller Generation X: Tales for an Accelerated Culture, popularized the terms Generation X and McJob. He has published 13 novels, two collections of short stories, seven non-fiction books, and a number of dramatic works and screenplays for film and television. He is a columnist for the Financial Times, as well as a frequent contributor to The New York Times, e-flux journal, DIS Magazine, and Vice. His art exhibits include Everywhere Is Anywhere Is Anything Is Everything, which was exhibited at the Vancouver Art Gallery, and the Royal Ontario Museum and the Museum of Contemporary Canadian Art, now the Museum of Contemporary Art Toronto Canada, and Bit Rot at Rotterdam's Witte de With Center for Contemporary Art, as well as the Villa Stuck.
Coupland is an Officer of the Order of Canada, and a member of the Order of British Columbia. He published his thirteenth novel Worst. Person. Ever. in 2012. He also released an updated version of City of Glass and the biography Extraordinary Canadians: Marshall McLuhan. He was the presenter of the 2010 Massey Lectures, with a companion novel to the lectures published by House of Anansi Press: Player One – What Is to Become of Us: A Novel in Five Hours. Coupland has been long-listed twice for the Scotiabank Giller Prize in 2006 and 2010, was a finalist for the Writers' Trust Fiction Prize in 2009, and was nominated for the Hubert Evans Non-Fiction Prize in 2011 for Extraordinary Canadians: Marshall McLuhan.