Donald Barthelme Quote

New artists have been obtained. These do not object to, and indeed argue enthusiastically for, the rationalization process. Production is up. Quality-control devices have been installed at those points where the interests of artists and audiences intersect. Shipping and distribution have been improved out of all recognition. (It is in this area, they say in Paraguay, that traditional practices were most blameworthy.) The rationalized art is dispatched from central art dumps to regional art dumps, and from there into the lifestreams of cities. Each citizen is given as much art as his system can tolerate.

Donald Barthelme

New artists have been obtained. These do not object to, and indeed argue enthusiastically for, the rationalization process. Production is up. Quality-control devices have been installed at those points where the interests of artists and audiences intersect. Shipping and distribution have been improved out of all recognition. (It is in this area, they say in Paraguay, that traditional practices were most blameworthy.) The rationalized art is dispatched from central art dumps to regional art dumps, and from there into the lifestreams of cities. Each citizen is given as much art as his system can tolerate.

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About Donald Barthelme

Donald Barthelme Jr. (pronounced BAR-thəl-mee; April 7, 1931 – July 23, 1989) was an American short story writer and novelist known for his playful, postmodernist style of short fiction. Barthelme also worked as a newspaper reporter for the Houston Post, was managing editor of Location magazine, director of the Contemporary Arts Museum in Houston (1961–1962), co-founder of Fiction (with Mark Mirsky and the assistance of Max and Marianne Frisch), and a professor at various universities. He also was one of the original founders of the University of Houston Creative Writing Program.