Don DeLillo Quote
If we isolate the stray thought, the passing thought, he said, the thought whose origin is unfathomable, then we begin to understand that we are routinely deranged, everyday crazy.We loved the idea of being everyday crazy. It rang so true, so real.In our privatest mind, he said, there is only chaos and blur. We invented logic to beat back our creatural selves. We assert or deny. We follow M with N.Our privatest mind, we thought. Did he really say that?The only laws that matter are laws of thought.His fists were clenched on the tabletop, knuckles white.The rest is devil worship, he said.
Don DeLillo
If we isolate the stray thought, the passing thought, he said, the thought whose origin is unfathomable, then we begin to understand that we are routinely deranged, everyday crazy.We loved the idea of being everyday crazy. It rang so true, so real.In our privatest mind, he said, there is only chaos and blur. We invented logic to beat back our creatural selves. We assert or deny. We follow M with N.Our privatest mind, we thought. Did he really say that?The only laws that matter are laws of thought.His fists were clenched on the tabletop, knuckles white.The rest is devil worship, he said.
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About Don DeLillo
DeLillo was already a well-regarded cult writer in 1985, when the publication of White Noise brought him widespread recognition and the National Book Award for fiction. He followed this in 1988 with Libra, a novel about the assassination of John F. Kennedy. DeLillo won the PEN/Faulkner Award for Mao II, about terrorism and the media's scrutiny of writers' private lives, and the William Dean Howells Medal for Underworld, a historical novel that ranges in time from the dawn of the Cold War to the birth of the Internet. He was awarded the 1999 Jerusalem Prize, the 2010 PEN/Saul Bellow Award for Achievement in American Fiction, and the 2013 Library of Congress Prize for American Fiction.
DeLillo has described his themes as "living in dangerous times" and "the inner life of the culture". In a 2005 interview, he said that writers "must oppose systems. It's important to write against power, corporations, the state, and the whole system of consumption and of debilitating entertainments... I think writers, by nature, must oppose things, oppose whatever power tries to impose on us."