When Tito was born, I was writing my fifth novel. That was how I saw my future: living in Venice and jumping from novel to novel. Tito's birth changed all that.
My words to Anna, as we stood contemplating the Scuola Grande di San Marco, moments before entering Venice Hospital, came true: 'With a façade like that, I could even accept having a deformed child.'...
Caught between life and death, I clung to life.
