D.H. Lawrence Quote

But mankind is a dead tree, covered with fine brilliant galls of people.[..]And if it is so, why is it? she asked, hostile.They were rousing each other to a fine passion of opposition.Why, why are people all balls of bitter dust?Because they won't fall off the tree when they're ripe.They hang on to their old positions when the position is over-past, till they become infested with little worms and dry-rot.

D.H. Lawrence

But mankind is a dead tree, covered with fine brilliant galls of people.[..]And if it is so, why is it? she asked, hostile.They were rousing each other to a fine passion of opposition.Why, why are people all balls of bitter dust?Because they won't fall off the tree when they're ripe.They hang on to their old positions when the position is over-past, till they become infested with little worms and dry-rot.

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About D.H. Lawrence

David Herbert Lawrence (11 September 1885 – 2 March 1930) was an English novelist, short story writer, poet, playwright, literary critic, travel writer, essayist, and painter. His modernist works reflect on modernity, social alienation and industrialization, while championing sexuality, vitality and instinct. Four of his most famous novels – Sons and Lovers
(1913), The Rainbow (1915), Women in Love (1920), and Lady Chatterley's Lover (1928) – were the subject of censorship trials for their radical portrayals of romance, sexuality and use of explicit language.
Lawrence's opinions and artistic preferences earned him a controversial reputation; he endured contemporary persecution and public misrepresentation of his creative work throughout his life, much of which he spent in a voluntary exile that he described as a "savage enough pilgrimage". At the time of his death, he had been variously scorned as tasteless, avant-garde, and a pornographer who had only garnered success for erotica; however, the English novelist and critic E. M. Forster, in an obituary notice, challenged this widely held view, describing him as "the greatest imaginative novelist of our generation". Later, the English literary critic F. R. Leavis also championed both his artistic integrity and his moral seriousness.