David H. Keller Quote

Crossing the meadow, he came again to the mouth of the cave where he had stood so undecided only the twilight before. Knowing what he would find, he yet wanted the final confirmation. Pushing the evergreen branches aside from the smooth rock on the right side of the opening he found, deeply carved in the rock, an Ankh, Egyptian symbol of ever-lasting life, made possible only by the union of male and female. Partly covered by lichens, weather-worn by centuries of storm, it remained as he had seen it in his first dream. It was the first cross, and on it, generation by generation, humanity had crucified itself in order that future generations might live.("The God Wheel")

David H. Keller

Crossing the meadow, he came again to the mouth of the cave where he had stood so undecided only the twilight before. Knowing what he would find, he yet wanted the final confirmation. Pushing the evergreen branches aside from the smooth rock on the right side of the opening he found, deeply carved in the rock, an Ankh, Egyptian symbol of ever-lasting life, made possible only by the union of male and female. Partly covered by lichens, weather-worn by centuries of storm, it remained as he had seen it in his first dream. It was the first cross, and on it, generation by generation, humanity had crucified itself in order that future generations might live.("The God Wheel")

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About David H. Keller

David Henry Keller (December 23, 1880 – July 13, 1966) was an American writer who worked for pulp magazines in the mid-twentieth century, in the science fiction, fantasy, and horror genres. He was also a psychiatrist and physician to shell-shocked soldiers during World War I and World War II, and his experience treating mentally ill people is evident in some of his writing, which contains references to mental disorders. He initially wrote short stories as a hobby and published his first science fiction story in Amazing Stories in 1928. He continued to work as a psychiatrist while publishing over sixty short stories in science fiction and horror genres. Technically, his stories were not well-written, but focused on the emotional aspects of imaginative situations, which was unusual for stories at the time.