David Arnold Quote

I have a license, says a voice behind us. I turn to find 17C scrolling through pictures on his camera, standing in the front yard like a deep-rooted tree, like he’s been there for years. Somehow, that black eye only makes him more desirable. And you are . . . ? asks Moses. A) Perfect B) The god of Devastating Attractiveness C) A flawless specimen, created in a lab by mad scientists in an effort to toy with the heart of Mary Iris Malone D) All of the above I circle D. Final effing answer.

David Arnold

I have a license, says a voice behind us. I turn to find 17C scrolling through pictures on his camera, standing in the front yard like a deep-rooted tree, like he’s been there for years. Somehow, that black eye only makes him more desirable. And you are . . . ? asks Moses. A) Perfect B) The god of Devastating Attractiveness C) A flawless specimen, created in a lab by mad scientists in an effort to toy with the heart of Mary Iris Malone D) All of the above I circle D. Final effing answer.

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About David Arnold

David Arnold (born 23 January 1962) is an English film composer whose credits include scoring five James Bond films (1997-2008), as well as Stargate (1994), Independence Day (1996), Godzilla (1998), Shaft (2000), 2 Fast 2 Furious (2003), Four Brothers (2005), Hot Fuzz (2007), and the television series Little Britain and Sherlock. For Independence Day, he received a Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television, and for Sherlock, he and co-composer Michael Price won a Creative Arts Emmy for the score of "His Last Vow", the final episode in the third series. Arnold scored the BBC / Amazon Prime series Good Omens (2019) adapted by Neil Gaiman from his book Good Omens, written with Terry Pratchett. Arnold is a fellow of the British Academy of Songwriters, Composers and Authors.