David Arnold Quote
I have a license, says a voice behind us. I turn to find 17C scrolling through pictures on his camera, standing in the front yard like a deep-rooted tree, like he’s been there for years. Somehow, that black eye only makes him more desirable. And you are . . . ? asks Moses. A) Perfect B) The god of Devastating Attractiveness C) A flawless specimen, created in a lab by mad scientists in an effort to toy with the heart of Mary Iris Malone D) All of the above I circle D. Final effing answer.
David Arnold
I have a license, says a voice behind us. I turn to find 17C scrolling through pictures on his camera, standing in the front yard like a deep-rooted tree, like he’s been there for years. Somehow, that black eye only makes him more desirable. And you are . . . ? asks Moses. A) Perfect B) The god of Devastating Attractiveness C) A flawless specimen, created in a lab by mad scientists in an effort to toy with the heart of Mary Iris Malone D) All of the above I circle D. Final effing answer.
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About David Arnold
David Arnold (born 23 January 1962) is an English film composer whose credits include scoring five James Bond films, as well as Stargate (1994), Independence Day (1996), Godzilla (1998) and the television series Little Britain and Sherlock. For Independence Day, he received a Grammy Award for Best Instrumental Composition Written for a Motion Picture or for Television, and for Sherlock, he and co-composer Michael Price won a Creative Arts Emmy for the score of "His Last Vow", the final episode in the third series. Arnold scored the BBC / Amazon Prime series Good Omens (2019) adapted by Neil Gaiman from his book Good Omens, written with Terry Pratchett. Arnold is a fellow of the British Academy of Songwriters, Composers and Authors.