Daphne du Maurier Quote
I want to see the Parthenon by moonlight.'I had my way. They floodlight it now, to great advantage I am told, but it was not so then, and since it was late in the year there were few tourists. My companions were all intelligent men, including my own husband, and they had the sense to stay mute. I suppose, being a woman, I confuse beauty with sentiment, but, as I looked on the Parthenon for the first time in my life, I found myself crying. It had never happened to me before. Your sunset weepers I despise. It was not full moon, or anywhere near it. The half circle put me in mind of the labrys, the Cretan double axe, and the pillars were the most ghostly in consequence. What a shock for the modern aesthete, I thought when my crying was done, if he could see the ruddy glow of colour, the painted eyes, the garish lips, the orange-reds and blues that were there once, and Athene herself a giantess on her pedestal touched by the rising sun. Even in those distant times the exigencies of a state religion had brought their own traffic, the buying and selling of doves, of trinkets: to find himself, a man had to go to the woods, to the hills. Come on, said Stephen. It's beautiful and stark, if you like, but so is St. Pancras station at 4 A.M. It depends on your association of ideas. We crammed into Burns's small car, and went back to our hotel. (The Chamois)
I want to see the Parthenon by moonlight.'I had my way. They floodlight it now, to great advantage I am told, but it was not so then, and since it was late in the year there were few tourists. My companions were all intelligent men, including my own husband, and they had the sense to stay mute. I suppose, being a woman, I confuse beauty with sentiment, but, as I looked on the Parthenon for the first time in my life, I found myself crying. It had never happened to me before. Your sunset weepers I despise. It was not full moon, or anywhere near it. The half circle put me in mind of the labrys, the Cretan double axe, and the pillars were the most ghostly in consequence. What a shock for the modern aesthete, I thought when my crying was done, if he could see the ruddy glow of colour, the painted eyes, the garish lips, the orange-reds and blues that were there once, and Athene herself a giantess on her pedestal touched by the rising sun. Even in those distant times the exigencies of a state religion had brought their own traffic, the buying and selling of doves, of trinkets: to find himself, a man had to go to the woods, to the hills. Come on, said Stephen. It's beautiful and stark, if you like, but so is St. Pancras station at 4 A.M. It depends on your association of ideas. We crammed into Burns's small car, and went back to our hotel. (The Chamois)
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About Daphne du Maurier
Although du Maurier is classed as a romantic novelist, her stories have been described as "moody and resonant" with overtones of the paranormal. Her bestselling works were not at first taken seriously by critics, but they have since earned an enduring reputation for narrative craft. Many have been successfully adapted into films, including the novels Rebecca, Frenchman's Creek, My Cousin Rachel and Jamaica Inn, and the short stories "The Birds" and "Don't Look Now". Du Maurier spent much of her life in Cornwall, where most of her works are set. As her fame increased, she became more reclusive.