Colm Toibin Quote
There’s an immense dramatic possibility in describing that universe. The books, for me, were an enormous relief in that sense of how they were written to allow primary emotion, elemental emotion, to matter enormously but to give the thing an extraordinary flow so you don’t notice at what point that you’re actually overwhelmed by this. There’s no showiness, at all. It’s the opposite of showiness. I think, if it was a painting, it could be very grey abstract, almost, with some lines and very, very beautiful. But you wouldn’t have a notion of where the beauty was.(Talking about the short stories of Alistair MacLeod, who he discovered while working on The Modern Library.)
Colm Toibin
There’s an immense dramatic possibility in describing that universe. The books, for me, were an enormous relief in that sense of how they were written to allow primary emotion, elemental emotion, to matter enormously but to give the thing an extraordinary flow so you don’t notice at what point that you’re actually overwhelmed by this. There’s no showiness, at all. It’s the opposite of showiness. I think, if it was a painting, it could be very grey abstract, almost, with some lines and very, very beautiful. But you wouldn’t have a notion of where the beauty was.(Talking about the short stories of Alistair MacLeod, who he discovered while working on The Modern Library.)
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fiction, short stories
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About Colm Toibin
His first novel, The South, was published in 1990. The Blackwater Lightship was shortlisted for the Booker Prize. The Master (a fictionalised version of the inner life of Henry James) was also shortlisted for the Booker Prize and won the 2006 International Dublin Literary Award, securing for Toíbín a bounty of thousands of euro as it is one of the richest literary awards in the world. Nora Webster won the Hawthornden Prize, whilst The Magician (a fictionalised version of the life of Thomas Mann) won the Folio Prize. His fellow artists elected him to Aosdána and he won the biennial "UK and Ireland Nobel" David Cohen Prize in 2021.
He succeeded Martin Amis as professor of creative writing at the University of Manchester. He was Chancellor of the University of Liverpool in 2017-2022. He is now Irene and Sidney B. Silverman Professor of the Humanities at Columbia University in Manhattan.