Chimamanda Ngozi Adichie Quote
Is Obama Anything but Black?So lots of folk—mostly non-black—say Obama’s not black, he’s biracial, multiracial, black-and-white, anything but just black. Because his mother was white. But race is not biology; race is sociology. Race is not genotype; race is phenotype. Race matters because of racism. And racism is absurd because it’s about how you look. Not about the blood you have. It’s about the shade of your skin and the shape of your nose and the kink of your hair. Booker T. Washington and Frederick Douglass had white fathers. Imagine them saying they were not black.Imagine Obama, skin the color of a toasted almond, hair kinky, saying to a census worker—I’m kind of white. Sure you are, she’ll say. Many American Blacks have a white person in their ancestry, because white slave owners liked to go a-raping in the slave quarters at night. But if you come out looking dark, that’s it. (So if you are that blond, blue-eyed woman who says My grandfather was Native American and I get discrimination too when black folk are talking about shit, please stop it already.) In America, you don’t get to decide what race you are. It is decided for you. Barack Obama, looking as he does, would have had to sit in the back of the bus fifty years ago. If a random black guy commits a crime today, Barack Obama could be stopped and questioned for fitting the profile. And what would that profile be? Black Man.
Is Obama Anything but Black?So lots of folk—mostly non-black—say Obama’s not black, he’s biracial, multiracial, black-and-white, anything but just black. Because his mother was white. But race is not biology; race is sociology. Race is not genotype; race is phenotype. Race matters because of racism. And racism is absurd because it’s about how you look. Not about the blood you have. It’s about the shade of your skin and the shape of your nose and the kink of your hair. Booker T. Washington and Frederick Douglass had white fathers. Imagine them saying they were not black.Imagine Obama, skin the color of a toasted almond, hair kinky, saying to a census worker—I’m kind of white. Sure you are, she’ll say. Many American Blacks have a white person in their ancestry, because white slave owners liked to go a-raping in the slave quarters at night. But if you come out looking dark, that’s it. (So if you are that blond, blue-eyed woman who says My grandfather was Native American and I get discrimination too when black folk are talking about shit, please stop it already.) In America, you don’t get to decide what race you are. It is decided for you. Barack Obama, looking as he does, would have had to sit in the back of the bus fifty years ago. If a random black guy commits a crime today, Barack Obama could be stopped and questioned for fitting the profile. And what would that profile be? Black Man.
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About Chimamanda Ngozi Adichie
Born in Enugu, Enugu State, Adichie's childhood was influenced by postcolonial rule in Nigeria, including the aftermath of the Nigerian Civil War, which took the lives of both of her grandfathers and was a major theme of Purple Hibiscus and Half of a Yellow Sun. She excelled in academics and attended the University of Nigeria, where she initially studied medicine and pharmacy. She moved to the United States at 19, and studied communications and political science at Drexel University in Philadelphia before transferring to and graduating from Eastern Connecticut State University. Adichie later received a master's degree from Johns Hopkins University. She first published the poetry collection Decisions in 1997, which was followed by a play, For Love of Biafra, in 1998. In less than ten years, she published eight books: novels, book essays and collections, memoirs, and children's books. Adichie has cited Chinua Achebe—in whose house she lived while at the University of Nigeria—Buchi Emecheta, Enid Blyton and other authors as inspirations; her style juxtaposes Western influences and the Igbo language and culture.
Adichie's words on feminism were encapsulated in her 2009 TED talk "We Should All Be Feminists", which was adapted into a book of the same title in 2014. Most of her works delve the themes of immigration, racism, gender, marriage, motherhood and womanhood. In 2023, she made statements about LGBT rights in Nigeria in an interview with the British newspaper The Guardian, after which she was criticized for being transphobic.
Adichie has received several academic awards and fellowship grants. She was shortlisted for the Caine Prize for African Writing and has won the O. Henry Award, Hurston/Wright Legacy Award, and the PEN Pinter Prize, among others. She was awarded a MacArthur Fellowship in 2008 and inducted into the American Academy of Arts and Sciences in 2017.