Charles Dickens Quote
I begin to think,' said Estella, in a musing way, after another moment of calm wonder, 'that I almost understand how this comes about. If you had brought up your adopted daughter wholly in the dark confinement of these rooms, and had never let her know that there was such a thing as the daylight by which she has never once seen your faceif you had done that, and then, for a purpose, had wanted her to understand the daylight and know all about it, you would have been disappointed and angry? . . .'Or,' said Estella, 'which is a nearer caseif you had taught her, from the dawn of her intelligence, with your utmost energy and might, that there was such a thing as daylight, but that it was made to be her enemy and destroyer, and she must always turn against it, for it had blighted you and would else blight herif you had done this, and then, for a purpose, had wanted her to take naturally to the daylight and she could not do it, you would have been disappointed and angry? . . .'So,' said Estella, 'I must be taken as I have been made. The success is not mine, the failure is not mine, but the two together make me.
I begin to think,' said Estella, in a musing way, after another moment of calm wonder, 'that I almost understand how this comes about. If you had brought up your adopted daughter wholly in the dark confinement of these rooms, and had never let her know that there was such a thing as the daylight by which she has never once seen your faceif you had done that, and then, for a purpose, had wanted her to understand the daylight and know all about it, you would have been disappointed and angry? . . .'Or,' said Estella, 'which is a nearer caseif you had taught her, from the dawn of her intelligence, with your utmost energy and might, that there was such a thing as daylight, but that it was made to be her enemy and destroyer, and she must always turn against it, for it had blighted you and would else blight herif you had done this, and then, for a purpose, had wanted her to take naturally to the daylight and she could not do it, you would have been disappointed and angry? . . .'So,' said Estella, 'I must be taken as I have been made. The success is not mine, the failure is not mine, but the two together make me.
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About Charles Dickens
Born in Portsmouth, Dickens left school at age 12 to work in a boot-blacking factory when his father John was incarcerated in a debtors' prison. After three years, he returned to school before beginning his literary career as a journalist. Dickens edited a weekly journal for 20 years; wrote 15 novels, five novellas, hundreds of short stories and nonfiction articles; lectured and performed readings extensively; was a tireless letter writer; and campaigned vigorously for children's rights, education and other social reforms.
Dickens's literary success began with the 1836 serial publication of The Pickwick Papers, a publishing phenomenon—thanks largely to the introduction of the character Sam Weller in the fourth episode—that sparked Pickwick merchandise and spin-offs. Within a few years, Dickens had become an international literary celebrity, famous for his humour, satire and keen observation of character and society. His novels, most of them published in monthly or weekly instalments, pioneered the serial publication of narrative fiction, which became the dominant Victorian mode for novel publication. Cliffhanger endings in his serial publications kept readers in suspense. The instalment format allowed Dickens to evaluate his audience's reaction, and he often modified his plot and character development based on such feedback. For example, when his wife's chiropodist expressed distress at the way Miss Mowcher in David Copperfield seemed to reflect her own disabilities, Dickens improved the character with positive features. His plots were carefully constructed and he often wove elements from topical events into his narratives. Masses of the illiterate poor would individually pay a halfpenny to have each new monthly episode read to them, opening up and inspiring a new class of readers.
His 1843 novella A Christmas Carol remains especially popular and continues to inspire adaptations in every creative medium. Oliver Twist and Great Expectations are also frequently adapted and, like many of his novels, evoke images of early Victorian London. His 1853 novel Bleak House, a satire on the judicial system, helped support a reformist movement that culminated in the 1870s legal reform in England. A Tale of Two Cities (1859; set in London and Paris) is regarded as his best-known work of historical fiction. The most famous celebrity of his era, he undertook, in response to public demand, a series of public reading tours in the later part of his career. The term Dickensian is used to describe something that is reminiscent of Dickens and his writings, such as poor social or working conditions, or comically repulsive characters.