Charles de Lint Quote

Having to amuse myself during those earlier years, I read voraciously and widely. Mythic matter and folklore made up much of that reading—retellings of the old stories (), anecdotal collections and historical investigations of the stories' backgrounds—and then I stumbled upon the books which took me back to and the like. I was in heaven when began the Unicorn imprint for Ballantine and scoured the other publishers for similar good finds, delighting when I discovered someone like , who still remains a favourite.This was before there was such a thing as a fantasy genre, when you'd be lucky to have one fantasy book published in a month, little say the hundreds per year we have now. I also found myself reading (the Cormac and Bran mac Morn books were my favourites), and finally started reading science fiction after coming across 's Huon of the Horn. That book wasn't sf, but when I went to read more by her, I discovered everything else was. So I tried a few and that led me to and any number of other fine sf writers.These days my reading tastes remain eclectic, as you might know if you've been following my monthly book review column in . I'm as likely to read as as as

Charles de Lint

Having to amuse myself during those earlier years, I read voraciously and widely. Mythic matter and folklore made up much of that reading—retellings of the old stories (), anecdotal collections and historical investigations of the stories' backgrounds—and then I stumbled upon the books which took me back to and the like. I was in heaven when began the Unicorn imprint for Ballantine and scoured the other publishers for similar good finds, delighting when I discovered someone like , who still remains a favourite.This was before there was such a thing as a fantasy genre, when you'd be lucky to have one fantasy book published in a month, little say the hundreds per year we have now. I also found myself reading (the Cormac and Bran mac Morn books were my favourites), and finally started reading science fiction after coming across 's Huon of the Horn. That book wasn't sf, but when I went to read more by her, I discovered everything else was. So I tried a few and that led me to and any number of other fine sf writers.These days my reading tastes remain eclectic, as you might know if you've been following my monthly book review column in . I'm as likely to read as as as

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About Charles de Lint

Charles de Lint (born December 22, 1951) is a Canadian writer.
Primarily a writer of fantasy fiction, he has composed works of urban fantasy, contemporary magical realism, and mythic fiction. Along with authors like Terri Windling, Emma Bull, and John Crowley, de Lint during the 1980s pioneered and popularized the subgenre of urban fantasy. He writes novels, novellas, short stories, poetry]], and lyrics. His most famous works include: the Newford series of books (Dreams Underfoot, Widdershins, The Blue Girl, The Onion Girl, Moonlight and Vines, Someplace to be Flying, etc.), as well as Moonheart, The Mystery of Grace, The Painted Boy and A Circle of Cats (children's book illustrated by Charles Vess). His distinctive style of fantasy uses American folklore and European folklore; de Lint was influenced by many authors of mythology, folklore, and science fiction, including J. R. R. Tolkien, Lord Dunsany, William Morris, Mervyn Peake, James Branch Cabell, and E. R. Eddison. Some of his mythic fiction poetry can be found online on the Endicott Studio website.
As an essayist/critic/folklorist he writes book reviews for The Magazine of Fantasy & Science Fiction, has judged several literary awards, and has been a writer-in-residence for two public libraries.