Charles Baudelaire Quote
Samuel was, more than all the others, the man of failed works of beauty; – a fantastical and sickly creature, whose poetry shines forth much more in his person than in his works, and who, around one o’clock in the morning, between the dazzling of a coal fire and the clock’s tick-tock, always seemed to be the god of impotence, – a modern and hermaphrodite god, – so colossal an impotence, so enormous, reaching epic proportions!
Charles Baudelaire
Samuel was, more than all the others, the man of failed works of beauty; – a fantastical and sickly creature, whose poetry shines forth much more in his person than in his works, and who, around one o’clock in the morning, between the dazzling of a coal fire and the clock’s tick-tock, always seemed to be the god of impotence, – a modern and hermaphrodite god, – so colossal an impotence, so enormous, reaching epic proportions!
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About Charles Baudelaire
His most famous work, a book of lyric poetry titled Les Fleurs du mal (The Flowers of Evil), expresses the changing nature of beauty in the rapidly industrialising Paris caused by Haussmann's renovation of Paris during the mid-19th century. Baudelaire's original style of prose-poetry influenced a generation of poets including Paul Verlaine, Arthur Rimbaud and Stéphane Mallarmé. He coined the term modernity (modernité) to designate the fleeting experience of life in an urban metropolis, and the responsibility of artistic expression to capture that experience. Marshall Berman has credited Baudelaire as being the first Modernist.