Bill Conti Quote
In the back of your mind, when you say you want to write music for the movies, you're saying that you want a big house, a big car and a boat. If you just wanted to write music, you could live in Kansas and do it.
Bill Conti
In the back of your mind, when you say you want to write music for the movies, you're saying that you want a big house, a big car and a boat. If you just wanted to write music, you could live in Kansas and do it.
Tags:
car
Related Quotes
Your driver is on the steer, driving you and you can feel free to doze in the car; this is trust built on competence. Competence is to ensure that your actions put people's hearts at ease when things...
Israelmore Ayivor
Tags:
at ease, best, car, competence, competency, competent, competent actions, competent hands, doze, drive
Most police cars are the equivalent of an electrical room on wheels and it does not surprise me that police officers that spend time in such a biologically toxic environment are displaying aggression.
Steven Magee
Tags:
aggression, biologically, car, cars, display, displaying, displays, electrical, environment, environmental
About Bill Conti
William Conti (born April 13, 1942) is an American composer and conductor, best known for his film scores, including Rocky (1976), Rocky II (1979), Rocky III (1982), Rocky V (1990), Rocky Balboa (2006), The Karate Kid I (1984), The Karate Kid, Part II (1986), The Karate Kid Part III (1989), The Next Karate Kid (1994), For Your Eyes Only (1981), Dynasty (and its sequel The Colbys), and The Right Stuff (1983), which earned him an Academy Award for Best Original Score. He also received nominations in the Best Original Song category for "Gonna Fly Now" from Rocky and for the title song of For Your Eyes Only. He was the musical director at the Academy Awards a record nineteen times.
Conti is known for his collaborations with director John G. Avildsen, having scored fourteen films for Avildsen, beginning with Rocky (1976) and ending with Inferno (1999). Their collaboration included such pictures as the first three films in The Karate Kid franchise (1984–1989), Slow Dancing in the Big City (1978), The Formula (1980), and Neighbors (1981).
Conti is known for his collaborations with director John G. Avildsen, having scored fourteen films for Avildsen, beginning with Rocky (1976) and ending with Inferno (1999). Their collaboration included such pictures as the first three films in The Karate Kid franchise (1984–1989), Slow Dancing in the Big City (1978), The Formula (1980), and Neighbors (1981).