Azar Nafisi Quote

There is seldom a physical description of a character or scene in and yet we feel that we have seen each of these characters and their intimate worlds; we feel we know them, and sense their surroundings. We can see Elizabeth's reaction to Darcy's denunciation of her beauty, Mrs. Bennet chattering at the dinner table or Elizabeth and Darcy walking in and out of the shadows of the Pemberley estate. The amazing thing is that all of this is created mainly through tone—different tones of voice, words that become haughty and naughty, soft, harsh, coaxing, insinuating, insensible, vain.The sense of touch that is missing from Austen's novels is replaced by a tension, an erotic texture of sounds and silences. She manages to create a feeling of longing by setting characters who want each other at odds.

Azar Nafisi

There is seldom a physical description of a character or scene in and yet we feel that we have seen each of these characters and their intimate worlds; we feel we know them, and sense their surroundings. We can see Elizabeth's reaction to Darcy's denunciation of her beauty, Mrs. Bennet chattering at the dinner table or Elizabeth and Darcy walking in and out of the shadows of the Pemberley estate. The amazing thing is that all of this is created mainly through tone—different tones of voice, words that become haughty and naughty, soft, harsh, coaxing, insinuating, insensible, vain.The sense of touch that is missing from Austen's novels is replaced by a tension, an erotic texture of sounds and silences. She manages to create a feeling of longing by setting characters who want each other at odds.

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About Azar Nafisi

Azar Nafisi (Persian: آذر نفیسی; born 1948) is an Iranian-American writer and professor of English literature. Born in Tehran, Iran, she has resided in the United States since 1997 and became a U.S. citizen in 2008.
Nafisi has held several academic leadership roles, including director of the Johns Hopkins University's School of Advanced International Studies (SAIS) Dialogue Project and Cultural Conversations, a Georgetown Walsh School of Foreign Service, Centennial Fellow, and a fellow at Oxford University.
She is the niece of a famous Iranian scholar, fiction writer and poet Saeed Nafisi. Azar Nafisi is best known for her 2003 book Reading Lolita in Tehran: A Memoir in Books, which remained on The New York Times Best Seller list for 117 weeks, and has won several literary awards, including the 2004 Non-fiction Book of the Year Award from Booksense.
In addition to Reading Lolita in Tehran, Nafisi has authored, Things I've Been Silent About: Memories of a Prodigal Daughter, The Republic of Imagination: America in Three Books and That Other World: Nabokov and the Puzzle of Exile. Her newest book, Read Dangerously: The Subversive Power of Literature in Troubled Times was published March 8, 2022.