Anton Chekhov Quote

My own experience is that once a story has been written one has to cross out the beginning and the end. It is there that we authors do most of our lying . . . one must ruthlessly suppress everything that is not concerned with the subject. If in the first chapter you say there is a gun hanging on the wall you should make quite sure that it is going to be used further on in the story.

Anton Chekhov

My own experience is that once a story has been written one has to cross out the beginning and the end. It is there that we authors do most of our lying . . . one must ruthlessly suppress everything that is not concerned with the subject. If in the first chapter you say there is a gun hanging on the wall you should make quite sure that it is going to be used further on in the story.

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About Anton Chekhov

Anton Pavlovich Chekhov (Russian: Антон Павлович Чехов, IPA: [ɐnˈton ˈpavləvʲɪtɕ ˈtɕexəf]; 29 January 1860 – 15 July 1904) was a Russian playwright and physician. His career as a playwright produced four classics, and his best short stories are held in high esteem by writers and critics. Along with Henrik Ibsen and August Strindberg, Chekhov is often referred to as one of the three seminal figures in the birth of early modernism in the theatre. Chekhov was a physician by profession. "Medicine is my lawful wife", he once said, "and literature is my mistress."
Chekhov renounced the theatre after the reception of The Seagull in 1896, but the play was revived to acclaim in 1898 by Konstantin Stanislavski's Moscow Art Theatre, which subsequently also produced Chekhov's Uncle Vanya and premiered his last two plays, Three Sisters and The Cherry Orchard. These four works present a challenge to the acting ensemble as well as to audiences, because in place of conventional action Chekhov offers a "theatre of mood" and a "submerged life in the text". The plays that Chekhov wrote were not complex, but easy to follow, and created a somewhat haunting atmosphere for the audience.
Chekhov at first wrote stories to earn money, but as his artistic ambition grew, he made formal innovations that influenced the evolution of the modern short story. He made no apologies for the difficulties this posed to readers, insisting that the role of an artist was to ask questions, not to answer them.