Anais Nin Quote

And now I lost my last treasure: the dreaming. For nothing in the dreams took the place of the human warmth I had witnessed. Now I felt utterly poor, because I could not create a human companion.This hunger which had inhabited her entire being, which had thinned her blood, transpired through her bones, attacked the roots of her hair, given a fragility to her skin which was never to disappear entirely, had been so enormous that it had marked her whole being and her eyes with an indelible mark. Although her life changed and every want was filled later, this appearance of hunger remained. As if nothing could ever quite fill it. Her being had received no sun, no food, no air, no warmth, no love. It retained open pores of yearning and longing, mysterious spongy cells of absorption. The space between actuality, absolute deprivation, and the sumptuosity of her imagination could never be entirely covered. What she had created in the void, in the emptiness, in the bareness continued to shame all that was offered her, and her large, infinitely blue eyes continued to assert the immensity of her hunger.

Anais Nin

And now I lost my last treasure: the dreaming. For nothing in the dreams took the place of the human warmth I had witnessed. Now I felt utterly poor, because I could not create a human companion.This hunger which had inhabited her entire being, which had thinned her blood, transpired through her bones, attacked the roots of her hair, given a fragility to her skin which was never to disappear entirely, had been so enormous that it had marked her whole being and her eyes with an indelible mark. Although her life changed and every want was filled later, this appearance of hunger remained. As if nothing could ever quite fill it. Her being had received no sun, no food, no air, no warmth, no love. It retained open pores of yearning and longing, mysterious spongy cells of absorption. The space between actuality, absolute deprivation, and the sumptuosity of her imagination could never be entirely covered. What she had created in the void, in the emptiness, in the bareness continued to shame all that was offered her, and her large, infinitely blue eyes continued to assert the immensity of her hunger.

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About Anais Nin

Angela Anaïs Juana Antolina Rosa Edelmira Nin y Culmell ( AN-eye-EESS NEEN; French: [ana.is nin]; February 21, 1903 – January 14, 1977) was a French-born American diarist, essayist, novelist, and writer of short stories and erotica. Born to Cuban parents in France, Nin was the daughter of the composer Joaquín Nin and the classically trained singer Rosa Culmell. Nin spent her early years in Spain and Cuba, about sixteen years in Paris (1924–1940), and the remaining half of her life in the United States, where she became an established author.
Nin wrote journals prolifically from age eleven until her death. Her journals, many of which were published during her lifetime, detail her private thoughts and personal relationships. Her journals also describe her marriages to Hugh Parker Guiler and Rupert Pole, in addition to her numerous affairs with men and women, including those with psychoanalyst Otto Rank and writer Henry Miller, both of whom profoundly influenced Nin and her writing.
In addition to her journals, Nin wrote several novels, critical studies, essays, short stories, and volumes of erotic literature. Much of her work, including the collections of erotica, was published posthumously amid renewed critical interest in her life and work. Nin spent her later life in Los Angeles, California, where she died of cervical cancer in 1977. She was a finalist for the Neustadt International Prize for Literature in 1976.