William Butler Yeats Quote

Why should not old men be mad?Some have known a likely ladThat had a sound fly-fisher's wristTurn to a drunken journalist;A girl that knew all Dante onceLive to bear children to a dunce;A Helen of social welfare dream,Climb on a wagonette to scream.Some think it a matter of course that chanceShould starve good men and bad advance,That if their neighbours figured plain,As though upon a lighted screen,No single story would they findOf an unbroken happy mind,A finish worthy of the start.Young men know nothing of this sort,Observant old men know it well;And when they know what old books tell

William Butler Yeats

Why should not old men be mad?Some have known a likely ladThat had a sound fly-fisher's wristTurn to a drunken journalist;A girl that knew all Dante onceLive to bear children to a dunce;A Helen of social welfare dream,Climb on a wagonette to scream.Some think it a matter of course that chanceShould starve good men and bad advance,That if their neighbours figured plain,As though upon a lighted screen,No single story would they findOf an unbroken happy mind,A finish worthy of the start.Young men know nothing of this sort,Observant old men know it well;And when they know what old books tell

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About William Butler Yeats

William Butler Yeats (13 June 1865 – 28 January 1939) was an Irish poet, dramatist and writer, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival, and along with Lady Gregory founded the Abbey Theatre, serving as its chief during its early years. He was awarded the 1923 Nobel Prize in Literature, and later served two terms as a Senator of the Irish Free State.
A Protestant of Anglo-Irish descent, Yeats was born in Sandymount, Ireland. His father practised law and was a successful portrait painter. He was educated in Dublin and London and spent his childhood holidays in County Sligo. He studied poetry from an early age, when he became fascinated by Irish legends and the occult. While in London he became part of the Irish literary revival. His early poetry was influenced by John Keats, William Wordsworth, William Blake and many more. These topics feature in the first phase of his work, lasting roughly from his student days at the Metropolitan School of Art in Dublin until the turn of the century. His earliest volume of verse was published in 1889, and its slow-paced and lyrical poems display debts to Edmund Spenser, Percy Bysshe Shelley and the poets of the Pre-Raphaelite Brotherhood.
From 1900 his poetry grew more physical, realistic and politicised. He moved away from the transcendental beliefs of his youth, though he remained preoccupied with some elements including cyclical theories of life. He had become the chief playwright for the Irish Literary Theatre in 1897, and early on promoted younger poets such as Ezra Pound. His major works include The Land of Heart's Desire (1894), Cathleen ni Houlihan (1902), Deirdre (1907), The Wild Swans at Coole (1919), The Tower (1928) and Last Poems and Plays (1940).